Books by Yuri Petukhov read online.  Fiction archive Yuri Petukhov read

In the Southern Group of Forces (Hungary). In 1971, he left the ranks of the Komsomol for ideological reasons. In - gg. worked at the Research Institute of Defense Industries. In 1983, Petukhov’s first book, “Through Two Springs,” was published.

Historical creativity

In Petukhov’s work in the historical field, two periods are distinguished. In the 1980-1990s. he tried in every possible way to identify the Proto-Indo-Europeans with the “Slavs” (“proto-Slavs”). Then, having traveled around the countries of the Middle East and Egypt, he began to insist that the Paleolithic Cro-Magnons were the “primordial Rus”; supposedly they developed a proto-language and cultural traditions, which were inherited by the Russians in their purest form, and supposedly it was the “Russ” who formed the trunk (“white race”), from which a variety of peoples gradually branched off.

In 2000-2009 Petukhov planned to publish a three-volume “History of the Rus,” of which he managed to release only the first two volumes in his publishing house “Metagalaktika” (vol. 1, 2000; vol. 2, 2002). Outwardly disavowing the “Romano-Germanic historical school,” which, in his words, subjugated Russian historical thought, he himself followed the worst methods of this “school,” which manifested themselves in full force in ethnological works of the late 19th - first half of the 20th centuries: monocentrism, migrationism and racism, which simplified the historical process and justified colonialism and racial discrimination.

Petukhov never missed an opportunity to furiously attack scientists, accusing them of all sorts of sins and trying to present them as “falsifiers” - supposedly their main goal was to conceal historical truth, which some interested political forces demanded of them. Petukhov presented himself as an unselfish fighter for “true knowledge” and constantly emphasized his “professionalism.” In words, he distanced himself in every possible way from “folk etymology” and stated that it was not characteristic of his works. Meanwhile, the vast majority of his own excursions into linguistics were based precisely on it.

The main tool in the strategy of proving the theses put forward by Petukhov was the etymological interpretation of proper names - toponyms, ethnonyms, anthroponyms and theonyms. The methods of Petukhov’s etymological analysis can be reduced to the following: 1) the transition of sounds into each other according to certain rules (not systematized by the author); 2) reading words backwards; 3) raising “distortions” to Slavic forms that have a similar sound. These are typical statements for amateur essays about language.

Petukhov believed that modern humans first arose in the Middle East as a result of a genetic mutation caused by powerful cosmic radiation. Then these people (Cro-Magnons) crossed with the Neanderthals and Sinanthropes who lived nearby, as well as other “archanthropes”, which ultimately led to the formation of the Negroid and Mongoloid races and the entire diversity of human types. And only the Cro-Magnons living in Europe, who found themselves isolated, avoided such mixing for a long time. It was precisely these unmixed or minimally mixed Cro-Magnons who made up the “superethnos of the Rus,” which supposedly served as the trunk from which a variety of peoples budded over thousands of years. Such “budding” and mixing with other species or subspecies of the genus Homo seemed to Petukhov to be the only mechanisms behind the processes of formation of the entire physical, cultural and linguistic diversity of modern humanity. Consequently, Petukhov unambiguously associated Homo sapiens sapiens with the “white race,” and the formation of other races, in his opinion, was due to its crossing with other more archaic subspecies of man, which it endowed with its progressive qualities, and above all language.

Star's Revenge

A fantastic epic novel in five volumes, “Star Revenge” (1990-1995), written in the genre of patriotic fiction. The Universe of Star Revenge is a multidimensional Space that permeates the “Axial Dimension” - the key to all worlds. This dimension is inhabited by various phantom ghouls who attack “space pilots” wandering through it in capsules. The main character, Space Marine Ivan, learns at a “mnemoscopic session” that his parents were killed by “three-eyed” or “non-humanoids” - creatures from “another universe” or the “Kharkhan-A System”. Non-humanoids call each other “democrats”, since they are part of the “Common System Intelligence”. Ivan seeks revenge for their death, but, once in the “other world,” he realizes that the non-humanoids are too strong. He sees an artificial lavender "multi-dimensional mesh network" of "crystalline structures" through which the stars glowed. His capsule then fell through a collapsar into the "Other Universe" and crashed on one of the Mars-like planets, where Ivan discovers captive Earth women guarded by a pterodactyl dragon. From conversations he learns that women are kept to raise certain “fry”. However, Ivan is soon captured by non-humanoids and thrown into a dungeon with skulls, incl. and three-eyed. Thanks to luck, Ilya turns out to be alive, takes part in gladiatorial battles and emerges victorious, having seen enough of various monsters ( homosaurus, birds and monster spiders). Then Ivan learns that non-humanoids are preparing an invasion of Earth, since their decrepit civilization is in crisis.

Returning, Ivan tries to warn the government about the impending invasion, but they do not listen to him. After some time, he is thrown onto an unknown planet in order to rescue earthling hostages. It turned out that the planet was a testing ground where earthlings carried out tests in the 33rd century, creating monsters such as goblins, the living dead and others. But they did not know that such creatures actually existed. Monsters from the underworld penetrated the test site, they destroyed half of the scientists and site workers, turning the rest into living biomaterial. The landfill was closed, turned into a haven and sent back to the past - to the 25th century. The goal of the monsters was the Earth, on which their residents had been working for a long time, including members of the government who sent Ivan to his death. Ivan managed to escape from the Haven; he understood that an invasion would occur at any time from two directions - non-humanoids from the System and monsters from the Haven. Deciding to fight on his own, he assembles a team. To do this, Ivan goes to underwater hard labor on the planet Girgeya in order to rescue an old friend - a former space marine and the leader of a gang of bandits, Gug Khlodric Violent. At this time, rearmament and reorganization of troops are taking place throughout the Earth, the planet is left without protection from space aggressors. Ivan seizes power in Russia and tries to stop the invasion.

Parts of the novel

1. "Angel of Vengeance" ("System")
2. "Riot of the Ghouls" ("Haven")
3. “Descent into Darkness” (“Katorga”)
4. "Invasion from Hell" ("Invasion")
5. "Sword of the Almighty" (Armageddon)

Prosecution of Petukhov's books

With a letter entitled “Who and why incites hatred and enmity in society under the guise of “fighting extremism”?! Stop the persecution of the writer Yuri Petukhov!” Fifty writers addressed the chairman of the Public Chamber, the prosecutor general and the chairman of the Supreme Court of the Russian Federation.

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Notes

Literature

• Shnirelman V.A. Aryan myth in the modern world. 2016. In 2 vols.
• Polinichenko D.Yu. Metalinguistic reflection in folk history (on the example of the concept of Yu.D. Petukhov) // Everyday metalinguistic consciousness: ontological and epistemological aspects. Part II: collective monograph / rep. ed. N.D. Golev; State Educational Institution of Higher Professional Education "Kemerovo State University". – Tomsk: Publishing house of Tomsk State Pedagogical University, 2009. – pp. 26–35.

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Excerpt characterizing Petukhov, Yuri Dmitrievich

Despite Balashev's habit of court solemnity, the luxury and pomp of Emperor Napoleon's court amazed him.
Count Turen led him into a large reception room, where many generals, chamberlains and Polish magnates were waiting, many of whom Balashev had seen at the court of the Russian emperor. Duroc said that Emperor Napoleon would receive the Russian general before his walk.
After several minutes of waiting, the chamberlain on duty came out into the large reception room and, bowing politely to Balashev, invited him to follow him.
Balashev entered a small reception room, from which there was one door to an office, the very office from which the Russian emperor sent him. Balashev stood there for about two minutes, waiting. Hasty steps were heard outside the door. Both halves of the door quickly opened, the chamberlain who opened it stopped respectfully, waiting, everything became quiet, and other, firm, decisive steps sounded from the office: it was Napoleon. He had just finished his riding toilet. He was wearing a blue uniform, open over a white vest that hung down over his round belly, white leggings that hugged the fat thighs of his short legs, and boots. His short hair had obviously just been combed, but one strand of hair hung down over the middle of his wide forehead. His white, plump neck protruded sharply from behind the black collar of his uniform; he smelled of cologne. On his youthful, plump face with a prominent chin there was an expression of gracious and majestic imperial greeting.
He walked out, shaking quickly with every step and throwing his head back a little. His entire plump, short figure with wide, thick shoulders and an involuntarily protruding belly and chest had that representative, dignified appearance that forty-year-old people living in the hallway have. In addition, it was clear that he was in the best spirits that day.
He nodded his head, responding to Balashev’s low and respectful bow, and, approaching him, immediately began to speak like a man who treasures every minute of his time and does not deign to prepare his speeches, but is confident in what he will always say ok and what needs to be said.
- Hello, general! - he said. “I received the letter from Emperor Alexander that you delivered, and I am very glad to see you.” “He looked into Balashev’s face with his big eyes and immediately began to look ahead past him.
It was obvious that he was not at all interested in Balashev’s personality. It was clear that only what was happening in his soul was of interest to him. Everything that was outside of him did not matter to him, because everything in the world, as it seemed to him, depended only on his will.
“I do not want and did not want war,” he said, “but I was forced into it.” Even now (he said this word with emphasis) I am ready to accept all the explanations that you can give me. - And he clearly and briefly began to state the reasons for his displeasure against the Russian government.
Judging by the moderately calm and friendly tone with which the French emperor spoke, Balashev was firmly convinced that he wanted peace and intended to enter into negotiations.
- Sire! L "Empereur, mon maitre, [Your Majesty! The Emperor, my lord,] - Balashev began a long-prepared speech when Napoleon, having finished his speech, looked questioningly at the Russian ambassador; but the look of the emperor’s eyes fixed on him confused him. “You are confused “Get over yourself,” Napoleon seemed to say, looking at Balashev’s uniform and sword with a barely noticeable smile. Balashev recovered and began to speak. He said that Emperor Alexander did not consider Kurakin’s demand for passports to be a sufficient reason for war, that Kurakin did so of his own free will and without the consent of the sovereign, that Emperor Alexander does not want war and that there are no relations with England.
“Not yet,” Napoleon interjected and, as if afraid to give in to his feelings, he frowned and nodded his head slightly, thereby letting Balashev feel that he could continue.
Having expressed everything that was ordered to him, Balashev said that Emperor Alexander wants peace, but will not begin negotiations except on the condition that... Here Balashev hesitated: he remembered those words that Emperor Alexander did not write in the letter, but which he certainly ordered that Saltykov be inserted into the rescript and which Balashev ordered to hand over to Napoleon. Balashev remembered these words: “until not a single armed enemy remains on Russian land,” but some complex feeling held him back. He could not say these words, although he wanted to do so. He hesitated and said: on the condition that the French troops retreat beyond the Neman.
Napoleon noticed Balashev's embarrassment when uttering his last words; his face trembled, his left calf began to tremble rhythmically. Without leaving his place, he began to speak in a voice higher and more hasty than before. During the subsequent speech, Balashev, more than once lowering his eyes, involuntarily observed the trembling of the calf in Napoleon’s left leg, which intensified the more he raised his voice.
“I wish peace no less than Emperor Alexander,” he began. “Isn’t it me who has been doing everything for eighteen months to get it?” I've been waiting eighteen months for an explanation. But in order to start negotiations, what is required of me? - he said, frowning and making an energetic questioning gesture with his small, white and plump hand.
“The retreat of the troops beyond the Neman, sir,” said Balashev.
- For Neman? - Napoleon repeated. - So now you want them to retreat beyond the Neman - only beyond the Neman? – Napoleon repeated, looking directly at Balashev.
Balashev bowed his head respectfully.
Instead of the demand four months ago to retreat from Numberania, now they demanded to retreat only beyond the Neman. Napoleon quickly turned and began to walk around the room.
– You say that they require me to retreat beyond the Neman to begin negotiations; but they demanded of me in exactly the same way two months ago to retreat beyond the Oder and Vistula, and, despite this, you agree to negotiate.
He silently walked from one corner of the room to the other and again stopped opposite Balashev. His face seemed to harden in its stern expression, and his left leg trembled even faster than before. Napoleon knew this trembling of his left calf. “La vibration de mon mollet gauche est un grand signe chez moi,” he said later.
“Such proposals as clearing the Oder and the Vistula can be made to the Prince of Baden, and not to me,” Napoleon almost cried out, completely unexpectedly for himself. – If you had given me St. Petersburg and Moscow, I would not have accepted these conditions. Are you saying I started the war? Who came to the army first? - Emperor Alexander, not me. And you offer me negotiations when I have spent millions, while you are in an alliance with England and when your position is bad - you offer me negotiations! What is the purpose of your alliance with England? What did she give you? - he said hastily, obviously already directing his speech not in order to express the benefits of concluding peace and discussing its possibility, but only in order to prove both his rightness and his strength, and to prove Alexander’s wrongness and mistakes.
The introduction of his speech was made, obviously, with the aim of showing the advantage of his position and showing that, despite the fact, he accepted the opening of negotiations. But he had already begun to speak, and the more he spoke, the less able he was to control his speech.
The whole purpose of his speech now, obviously, was only to exalt himself and insult Alexander, that is, to do exactly what he least wanted at the beginning of the date.
- They say you made peace with the Turks?
Balashev tilted his head affirmatively.
“The world is concluded...” he began. But Napoleon did not let him speak. He apparently needed to speak on his own, alone, and he continued to speak with that eloquence and intemperance of irritation to which spoiled people are so prone.
– Yes, I know, you made peace with the Turks without receiving Moldavia and Wallachia. And I would give these provinces to your sovereign just as I gave him Finland. Yes,” he continued, “I promised and would have given Moldavia and Wallachia to Emperor Alexander, but now he will not have these beautiful provinces. He could, however, annex them to his empire, and in one reign he would expand Russia from the Gulf of Bothnia to the mouth of the Danube. “Katherine the Great could not have done more,” said Napoleon, becoming more and more excited, walking around the room and repeating to Balashev almost the same words that he said to Alexander himself in Tilsit. “Tout cela il l"aurait du a mon amitie... Ah! quel beau regne, quel beau regne!” he repeated several times, stopped, took a gold snuff box out of his pocket and greedily sniffed from it.
- Quel beau regne aurait pu etre celui de l "Empereur Alexandre! [He would owe all this to my friendship... Oh, what a wonderful reign, what a wonderful reign! Oh, what a wonderful reign the reign of Emperor Alexander could have been!]
He looked at Balashev with regret, and just as Balashev was about to notice something, he again hastily interrupted him.
“What could he want and seek that he would not find in my friendship?..” said Napoleon, shrugging his shoulders in bewilderment. - No, he found it best to surround himself with my enemies, and who? - he continued. - He called to him the Steins, Armfelds, Wintzingerode, Bennigsenov, Stein - a traitor driven out of his fatherland, Armfeld - a libertine and intriguer, Wintzingerode - a fugitive subject of France, Bennigsen somewhat more military than the others, but still incapable, who could not do anything to do in 1807 and which should arouse terrible memories in Emperor Alexander... Suppose, if they were capable, one could use them, - continued Napoleon, barely managing to keep up with the words that constantly arise, showing him his rightness or strength (which in in his concept were one and the same) - but even that is not the case: they are not suitable for either war or peace. Barclay, they say, is more efficient than all of them; but I won’t say that, judging by his first movements. What are they doing? What are all these courtiers doing! Pfuhl proposes, Armfeld argues, Bennigsen considers, and Barclay, called to act, does not know what to decide on, and time passes. One Bagration is a military man. He is stupid, but he has experience, an eye and determination... And what role does your young sovereign play in this ugly crowd. They compromise him and blame him for everything that happens. “Un souverain ne doit etre a l"armee que quand il est general, [The sovereign should be with the army only when he is a commander,] he said, obviously sending these words directly as a challenge to the sovereign’s face. Napoleon knew how the emperor wanted Alexander to be a commander.
– It’s already been a week since the campaign began, and you have failed to defend Vilna. You are cut in two and driven out of the Polish provinces. Your army is grumbling...
“On the contrary, Your Majesty,” said Balashev, who barely had time to remember what was said to him and could hardly follow this fireworks of words, “the troops are burning with desire...
“I know everything,” Napoleon interrupted him, “I know everything, and I know the number of your battalions as accurately as mine.” You don’t have two hundred thousand troops, but I have three times that much. “I give you my word of honor,” said Napoleon, forgetting that his word of honor could not have any meaning, “I give you ma parole d"honneur que j"ai cinq cent trente mille hommes de ce cote de la Vistule. [on my word of honor that I have five hundred and thirty thousand people on this side of the Vistula.] The Turks are no help to you: they are no good and have proven this by making peace with you. The Swedes are destined to be ruled by crazy kings. Their king was mad; they changed him and took another - Bernadotte, who immediately went crazy, because a crazy person only being a Swede can enter into alliances with Russia. - Napoleon grinned viciously and again brought the snuffbox to his nose.
To each of Napoleon’s phrases, Balashev wanted and had something to object to; He constantly made the movement of a man who wanted to say something, but Napoleon interrupted him. For example, about the madness of the Swedes, Balashev wanted to say that Sweden is an island when Russia is for it; but Napoleon shouted angrily to drown out his voice. Napoleon was in that state of irritation in which you need to talk, talk and talk, only in order to prove to yourself that you are right. It became difficult for Balashev: he, as an ambassador, was afraid of losing his dignity and felt the need to object; but, as a person, he shrank morally before forgetting the causeless anger in which Napoleon, obviously, was. He knew that all the words now spoken by Napoleon did not matter, that he himself, when he came to his senses, would be ashamed of them. Balashev stood with his eyes downcast, looking at Napoleon’s moving thick legs, and tried to avoid his gaze.
- What do these allies of yours mean to me? - said Napoleon. – My allies are the Poles: there are eighty thousand of them, they fight like lions. And there will be two hundred thousand of them.

Yuri Dmitrievich Petukhov came to literature at the end of Perestroika, and during the first half of the 1990s he was one of the most controversial figures in Russian science fiction, but rather not as a writer, but as a social phenomenon brought to life by the collapse of old ideals and the criminal rampant period of the formation of wild capitalism . In a short period of time, he published several dozen books at his own expense, in 1993 he founded the ambitious publishing house "Metagalaxy" (located in his own apartment), published several magazines and almanacs - "Adventures, Fantasy", "PF-Dimension", "Metagalaxy" , “Galaxy”, as well as the monthly newspaper of anomalous phenomena and predictions “Voice of the Universe”. Most of the works published in these magazines also belonged to his pen.

The level of his creativity raises many questions - his works were not only not awarded any prizes (and there were more than enough of them in the 1990s), but they were not nominated for them. In addition, no publisher or magazine (other than his own) has even attempted to publish his fiction written after 1990.

Even more than his fiction, Petukhov is known for his national-patriotic views on the verge of extremism.

Yuri Petukhov was born in 1951 in Moscow on Chistye Prudy. His parents were quite ordinary people of their generation - front-line soldiers, participants in the Great Patriotic War, his father was a military officer, journalist and writer, his mother was a cultural worker. In 1967, Yura graduated from high school. In 1968–1969 worked at the All-Russian Research Institute of Cable Industry (VNIIKP). In 1969–1971 served in the Soviet Army in the Southern Group of Forces (Hungary). In 1971–1978 studied at the Moscow Electrotechnical Institute of Communications (MEIS) and the Moscow State Institute of Radio Engineering, Electronics and Automation (MIREA). At the same time, in 1972–1985. worked somewhere in the defense industry. Unfortunately, the available sites do not make it possible to clarify either the organization, the position, or the nature of its activities.

In the 1980s, Yuri Petukhov radically changed his lifestyle. In 1983, his first book was published - the documentary story “Through Two Springs”. In 1989, the Sovremennik publishing house published the second book, “Yesterday’s Day, Tomorrow’s Day” (a collection of realistic stories and short stories), and from 1990 until his death he published about fifty books, both fiction and journalistic.

In Petukhov’s journalism, it is worth highlighting two main lines - national patriotism (bordering on pronounced great-power Russian chauvinism) and an alternative view of history, contrary to historical science. Petukhov considered himself a philosopher and historian who made the most important discoveries in the field of anthropogenesis, ethnogenesis, mythanalysis, Indo-European studies, and ancient human history. In his opinion, the ancestral ethnos of the Indo-Europeans were the Proto-Slavs-Russians, who mastered the b O most of the Eurasian continent and gave rise to almost all the peoples of Europe and many peoples of Asia. Without bothering himself with clear evidence, Petukhov postulated that all the languages ​​of the Indo-European language family, including ancient Greek and Sanskrit, developed from a single language of the Proto-Russians. There he also found the origins of all mythologies, including ancient, Indo-Aryan, Germanic, Celtic and so on.

We will not dwell on the criticism of these anti-scientific views, for the propaganda of which Petukhov created the magazine “History” and the almanac “Genuine History” in 1997. Back in 1990, the first edition of Yu. Petukhov’s book “On the Roads of the Gods” was published - an alternative history of the Slavs and all of humanity. In 2000, he began publishing the three-volume “History of the Rus,” in which he outlined in more detail his fantastic views on anthropology, ethnogenesis, ethnology and the history of civilizations. The first volume, published in 2000, had a stunning title: “History of the Rus. 40–5 millennium BC.”

In the field of the national-patriotic movement, Petukhov was an ally of Alexander Prokhanov (although at the same time in his articles he admired the personality of V.V. Zhirinovsky). In 1992, the newspaper Den, published by Prokhanov, published an article by Petukhov, in which he accused the American embassy of using secret weapons in August 1991; supposedly with this weapon the American embassy zombified the defenders of the White House and members of the State Emergency Committee (Day, 1992, no. 27). Petukhov was no stranger to anti-Semitism, as well as the “world Jewish conspiracy theory.” Some figures of that period called Petukhov's views fascist. Some of the author's books were banned in Russia (see. Note at the end of the bibliography).

Science fiction occupies a special place in the works of Yuri Petukhov. He started with a more or less traditional science fiction action film, but later he fundamentally abandoned it in favor of what he believed was a new genre, called the “supernova black wave” or “superrealism literature.” In fact, it was bloody trash, unusual for the Soviet Union, but quite traditional for the Western world. It was in this vein that the novels “Slaughterhouse” and “Satanic Potion”, the huge five-volume epic novel “Star Revenge” and many others were created. These books have many admirers who like the bloodthirsty style and the idea of ​​​​the racial superiority of the Slavs over the rest of the world (which the author “promoted”, including through fiction). Other readers sharply criticize both the form and content of Petukhov’s books, calling him a graphomaniac and a rabid chauvinist.

To characterize Petukhov as a writer, it is important that although he called himself Orthodox, in reality his religious views were close to neo-paganism and had almost no connections with Christianity. The replacement of Orthodoxy with the ancient Aryan-Slavic religion he invented, the emphasis on esotericism, the denial of the scientific method and vulgar speculation are characteristic features of Yuri Petukhov’s worldview.

The writer died when he was only 57 years old. He was buried at the Vagankovskoye cemetery in Moscow.

Yuri Dmitrievich Petukhov(May 17 - February 1) - Russian writer, publicist, author of works in the genre of folk history.

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Subtitles

Biography

Historical creativity

In Petukhov’s work in the historical field, two periods are distinguished. In the 1980-1990s. he tried in every possible way to identify the Proto-Indo-Europeans with the “Slavs” (“proto-Slavs”). Then, having traveled around the countries of the Middle East and Egypt, he began to insist that the Paleolithic Cro-Magnons were the “primordial Rus”; supposedly they developed a proto-language and cultural traditions, which were inherited by the Russians in their purest form, and supposedly it was the “Russ” who formed the trunk (“white race”), from which a variety of peoples gradually branched off.

In 2000-2009 Petukhov planned to publish a three-volume “History of the Rus,” of which he managed to release only the first two volumes in his publishing house “Metagalaktika” (vol. 1, 2000; vol. 2, 2002). Outwardly disavowing the “Romano-Germanic historical school,” which, in his words, subjugated Russian historical thought, he himself followed the worst methods of this “school,” which manifested themselves in full force in ethnological works of the late 19th - first half of the 20th centuries: monocentrism, migrationism and racism, which simplified the historical process and justified colonialism and racial discrimination.

Petukhov never missed an opportunity to furiously attack scientists, accusing them of all sorts of sins and trying to present them as “falsifiers” - supposedly their main goal was to conceal historical truth, which some interested political forces demanded of them. Petukhov presented himself as an unselfish fighter for “true knowledge” and constantly emphasized his “professionalism.” In words, he distanced himself in every possible way from “folk etymology” and stated that it was not characteristic of his works. Meanwhile, the vast majority of his own excursions into linguistics were based precisely on it.

The main tool in the strategy of proving the theses put forward by Petukhov was the etymological interpretation of proper names - toponyms, ethnonyms, anthroponyms and theonyms. The methods of Petukhov’s etymological analysis can be reduced to the following: 1) the transition of sounds into each other according to certain rules (not systematized by the author); 2) reading words backwards; 3) raising “distortions” to Slavic forms that have a similar sound. These are statements typical of amateur writings about language.

Petukhov believed that modern humans first arose in the Middle East as a result of a genetic mutation caused by powerful cosmic radiation. Then these people (Cro-Magnons) crossed with the Neanderthals and Sinanthropes who lived nearby, as well as other “archanthropes”, which ultimately led to the formation of the Negroid and Mongoloid races and the entire diversity of human types. And only the Cro-Magnons living in Europe, who found themselves isolated, avoided such mixing for a long time. It was precisely these unmixed or minimally mixed Cro-Magnons who made up the “superethnos of the Rus,” which supposedly served as the trunk from which a variety of peoples budded over thousands of years. Such “budding” and mixing with other species or subspecies of the genus Homo seemed to Petukhov to be the only mechanisms behind the processes of formation of the entire physical, cultural and linguistic diversity of modern humanity. Consequently, Petukhov unambiguously associated Homo sapiens with the “white race,” and the formation of other races, in his opinion, was due to its crossing with other more archaic subspecies of man, which it endowed with its progressive qualities, and above all language.

Star's Revenge

A fantastic epic novel in five volumes, “Star Revenge” (1990-1995), written in the genre of patriotic fantasy. The Universe of Star Revenge is a multidimensional Space that permeates the “Axial Dimension” - the key to all worlds. This dimension is inhabited by various ghouls - phantoms that attack the "spacemen" wandering around in capsules. The main character, space marine Ivan, learns at a "mnemoscopic session" that his parents were killed by "three-eyed" or "non-humanoids" - creatures from "another universe" or the "Kharkhan-A System" ". The non-humanoids call each other “democrats”, since they are part of the “Common System Intelligence”. Ivan seeks revenge for their death, but, once in the “other world”, he realizes that the non-humanoids are too strong. He sees an artificial lavender a "multidimensional mesh network" of "crystalline structures" through which the stars glowed. His capsule then fell through a collapsar into the "Other Universe" and crashed on one of the Mars-like planets, where Ivan discovers captive Earth women guarded by a pterodactyl dragon. From conversations he learns that women are kept to raise certain “fry”. However, Ivan is soon captured by non-humanoids and thrown into a dungeon with skulls, including three-eyed ones. Thanks to luck, Ivan turns out to be alive, takes part in gladiatorial fights and emerges victorious, having seen enough of various monsters ( homosaurus, birds and monster spiders). Then Ivan learns that non-humanoids are preparing an invasion of Earth, since their decrepit civilization is in crisis.

Returning, Ivan tries to warn the government about the impending invasion, but they do not listen to him. After some time, he is thrown onto an unknown planet in order to rescue earthling hostages. It turned out that the planet was a testing ground where earthlings carried out tests in the 33rd century, creating monsters such as goblins, the living dead and others. But they did not know that such creatures actually existed. Monsters from the underworld penetrated the test site, they destroyed half of the scientists and site workers, turning the rest into living biomaterial. The landfill was closed, turned into a haven and sent back to the past - to the 25th century. The goal of the monsters was the Earth, on which their residents had been working for a long time, including members of the government who sent Ivan to his death. Ivan managed to escape from the Haven; he understood that an invasion would occur at any time from two directions - non-humanoids from the System and monsters from the Haven. Deciding to fight on his own, he assembles a team. To do this, Ivan goes to underwater hard labor on the planet Girgeya in order to rescue an old friend - a former space marine and the leader of a gang of bandits, Gug Khlodric Violent. At this time, rearmament and reorganization of troops are taking place throughout the Earth, the planet is left without protection from space aggressors. Ivan seizes power in Russia and tries to stop the invasion.

Parts of the novel

1. "Angel of Vengeance" ("System")
2. "Riot of the Ghouls" ("Haven")
3. “Descent into Darkness” (“Katorga”)
4. "Invasion from Hell" ("Invasion")
5. "Sword of the Almighty" (Armageddon)

Prosecution of Petukhov's books

On July 20, 2006, on the initiative of the prosecutor's office of the Central District of Volgograd, a group of psychologists, political scientists and linguists conducted a comprehensive study of Petukhov's works, as a result of which the researchers came to the conclusion that the texts promote ideas of inciting racial, national and religious hatred, the cult of violence and cruelty , xenophobia. Materials were sent to the Moscow prosecutor's office to determine whether there was a crime

Russian writer, publicist and editor, who published (and wrote most of the works in them) several magazines in the early 90s - “Adventures, Fantasy”, “PF-Dimension”, “Metagalaxy”, “Galaxy”, as well as a monthly newspaper anomalous phenomena and predictions of the future “Voice of the Universe” (since 1991). Repeatedly scolded by critics, Yuri Petukhov, however, released seven novels at the intersection of “fantasy detective” and “space opera” (the author himself calls this genre “super-realism”), founded a publishing house to publish his own books “Metagalctic”, and also composed a lot pseudo-historical studies about the Ancient World and Ancient Russia (“Roads of the Gods”, “Cradle of Zeus”, History of the Rus”, etc.). In July 2003, the official website of Yuri Petukhov was opened on the Narod.ru server.

Biography of Yu. D. Petukhov, published on his official website

Petukhov Yuri Dmitrievich is a famous Russian writer, historian, philosopher, publicist. Born in 1951 in Moscow on Chistye Prudy in a family of front-line soldiers, participants in the Great Patriotic War. Father is a military officer, journalist and writer. Mother is a cultural worker. In 1967 he graduated from high school. In 1968-69 worked at VNIIKP. In 1969-71. served in the SA in the Southern Group of Forces (Hungary). In 1971, he left the ranks of the Komsomol for ideological reasons. 1971-78 studies at MEIS, MIREA. 1972-1985 work in research institutes (defense industries). Active political, literary and scientific activities. He criticizes the regime. Since the early 80s he has been under surveillance by the special services. In 1983, the first book, “In Two Springs,” was published. From 1978 onwards - dozens of individual publications in newspapers, magazines, and collections. Major works are rejected by all publishing houses for political reasons. 1980-83 – the most important discoveries in the field of ethnogenesis and ancient history (publications of the DSP OI AN). Scientific activity. A complete break with the Department of History of the USSR Academy of Sciences. In 1989, the second book, “Yesterday’s Day, Tomorrow’s Day” (“Contemporary”), was published. In 1990, a collection of journalism “Eternal Russia” (“Young Guard”) and a popular science edition of the fundamental work on the ethnogenesis of the Indo-Europeans “The Roads of the Gods” (“Thought”). From 1990 to 2000, over forty books (including reprints), previously uncensored and new, were published. In 1991-97 publishes the first independent newspaper in Russia, “Voice of the Universe,” thereby establishing new hypercritical and mysterious directions in the Russian press (now successfully developed by dozens of periodicals). In 1990-91 The dystopian novels “Slaughterhouse” and “Satanic Potion” open a new genre of domestic literature, the “supernova black wave” or “literature of superrealism” (hundreds of followers). Since 1991, he has been editing the magazine “Adventures, Fantasy”, publishing the works of many talented Russian authors (actually serving as the joint venture’s department for working with young authors), dozens of authors who went through the school of Yu. D. Petukhov become members of the joint venture and recognized writers. Constantly speaks in the press criticizing the regime. In August 1991, he puts forward the thesis about the completion of the Third World War (wars of a new type) and a new redistribution of the world (the thesis is widely used in the press without reference to the author). In 1991-93 shocks society with his “Prophecies” - a sharp political pamphlet denouncing the policy of “reforms” leading to degeneration and destruction of Russian society and world civilization. In 1993-95 publishes almanacs “Galaxy”, “Metagalaxy”. In October 1993, he took part in the People's Liberation Uprising in Moscow. From 1990 to 95 publishes the grandiose providential epic “Star Revenge” in five novels. In 1993-96 An eight-volume collected works of Yu. D. Petukhov is published. Since 1997, editor-in-chief of the History magazine and the scientific almanac True History. Continues work on scientific historical works. From 1994 to 2000 makes a series of long trips across Europe, Asia, and the Middle East in search of the ancestral home of the Proto-Indo-Europeans, studies archaeological excavations of ancient civilizations, and establishes close ties with the leading archaeological and historical museums of the world. Reprints the monograph “On the Roads of the Gods” (4th reprint) and a number of other historical works. He strongly opposes the barbaric aggression of the “world community” in Iraq and Yugoslavia. In 2000, he began publishing the three-volume “History of the Rus”, which sets out the main discoveries in the field of anthropology, ethnogenesis, ethnology, history of civilizations) - the first volume “History of the Rus” was published. 40-5 thousand BC.” Continues literary scientific, journalistic and publishing activities. Lives and works in Moscow. The total circulation of publications is 16.5 million. He has repeatedly visited all countries of Europe (except Albania and Belgium), the Middle East and the USA. He is not a member of parties, unions, or public organizations. He has no awards or titles. Doesn't belong to any political group. Is in opposition to all regimes. Basic principle: The writer, as a mirror of existence, is above the political bustle, and has no right to tie himself to either state or socio-political entities by any “manifestations of attention”. The writer serves only the People, the Fatherland and the Truth.

Excerpt from Pavel Tulaev’s article “Battle for the Universe”
(Essay on the work of Yuri Petukhov)

“Petukhov’s world can be divided into several areas: fiction, history, journalism, futurology. The writer himself believes that he cannot be “divided” into genres, but the analysis of creativity requires systematization, and some simplification cannot be done here. Most people, apparently, are closest and most understandable to Petukhov the writer, the author of Star's Revenge, published in millions of copies, and a series of adventure novels. It is no coincidence that it was “Star Revenge” that found its way onto the Internet through an unknown route. Therefore, we will begin our review with it. The form of the novel is a fantasy-adventure epic. In terms of content, this is a complex philosophical, I would even say mystical, work, consisting of several levels, intersecting plots. Formally, the events take place in some fictitious time and space, in the 23rd century in the far corners of the visible spectrum of the Universe. The outline resembles a typical action movie, where adventures, battles, horrors, temptations, and erotic scenes alternate one after another. At the same time, Petukhov’s book is radically different from fantasy thrillers. For him, science fiction and fiction are not the main thing at all. The main thing is the general plan, the super idea, if you like, the ideology of the novel. At the center of events is a hero named Ivan. In terms of his archetype, he resembles an ancient Russian knight, and in terms of his equipment, he resembles a superman from the space special forces. An unexpected, but very significant detail is the hero’s militant Orthodoxy. He is like Michael the Archangel, the leader of the Heavenly Host, who moves through the expanses of the Universe in a miraculous way. Ivan also has his own beloved - Alena. In this fair-haired beauty, the reader can easily recognize Elena the Beautiful from folk tales. The main opponent of Ivan, Alena and their associates: Gleb, Svetlana, Innokenty is the multifaceted and cunning villain Avvaron, in some ways very similar to Koshchei the Immortal. Wherever Ivan goes, he is confronted by the insidious Avvaron, who changes his incarnations and masks. Ivan's fate is an endless battle against the universal forces of evil. With the help of heroic efforts, he constantly has to overcome certain obstacles. He fights against demons, werewolves, monsters, multi-headed and multi-armed monsters, man-octopuses, and cyborgs. Voluptuous witches are trying to bewitch him with their charms. They resemble ordinary women in some ways, but when the hero falls into their captivating net, he discovers with horror that they have scaly tails, four breasts, glass eyes and iron claws. Ivan ends up on enchanted planets, then passes through labyrinths of horror, then becomes a participant in grandiose space wars. It seems that the material abyss is about to suck him in like a swamp, swallow him into a gaping abyss and drag him to the very bottom. But every time Ivan miraculously manages to get away with it. He suffers, endures hardships, and, in the end, emerges victorious from any adventure. Even at the most seemingly hopeless moment, when Ivan commits suicide in despair, Archangel Michael himself comes to his aid from heaven and resurrects the hero. In terms of structure, the novel consists of five books: “The Angel of Vengeance”, “Riot of the Ghouls”, “Descent into Darkness”, “Invasion from Hell”, “The Almighty Sword”, each of which is divided into parts. In some ways this is reminiscent of Dante's famous trilogy. The Divine Comedy is divided into Hell, Purgatory and Heaven. But the point here is not in the number of parts, but in metaphysics. The spiritualized hero goes through the temptations and trials of the material world, through “fire, water and copper pipes”, in order to finally appear before the Court of God and end up either in Heaven or Hell. The historical background against which all events take place is fundamentally important for Petukhov. His heroes are not abstract adventurers, not golems without family and tribe, but Russian people who have a very specific Motherland and responsibilities to it. Already in his early fantasy stories, the writer gave his heroes characteristic names: Nikita, Artem, Slavka, and in their adventures motifs from folk tales and heroic epics were visible. Star Wars takes this line to its logical extreme. Ivan begins his cosmic journey with the blessing of an Orthodox priest. His starting point: “Earth. Russia. Moscow. Cathedral of Christ the Savior." As the plot develops in the epic, historical analogies and excursions are encountered more and more often, and one or another name of Russian gods, heroes, and cities comes up. Finally, the deeper meaning of all adventures and battles is revealed with maximum clarity. Ivan serves Great Russia, defends its interests, remains faithful to the faith of his fathers to the end, and he opposes the United All-American States, behind which the prototype of the United States is easily discernible. Great Russia is “the Kingdom of Goodness and Justice in the vast Universe. Abode of Orthodoxy and Mother Earth of the Virgin Mary. The Ocean of the Most Pure Spirit in the stinking and impenetrable pool of the Universe.” And the USA is the embodiment of world evil, the center of satanic forces, the Throne of the Antichrist, the bottom of the universal ocean, from where all imaginable and inconceivable monsters crawl out. At the end of the epic, Ivan, wise with experience and knowledge, understands that from now on his Fatherland is not only the land of his fathers, not only a small Motherland, but the entire Universe, where he is called to be the guardian of righteousness and purity, justice and truth. If he retreats even for a moment, hesitates, the forces of darkness and evil will again rise from the bottom of the underworld. From now on, he, Ivan, is the Tsar and Lord of the world. At the end of the novel, Ivan, miraculously saved by heavenly forces, comes to Red Square, in the heart of Moscow, where every stone and image is dear to him. Near the Kremlin's Spasskaya Tower, he sees a majestic monument to his comrades. Beautiful in body and spirit, they are like ancient gods. People passing by, even small children, know about the hero’s feat and remember: “They did everything they could. They saved the earth, but they themselves died.” Ivan returns to his heavenly abode with a clear conscience. There, in Paradise, under the wing of the Archangel Michael and the purple banner of St. George the Victorious, he will again meet his comrades-in-arms: “Pure and clear faces, long flaxen curls fluttering in the hurricane wind, eyes like lakes, and the gold of armor, a forest of spears, banners, the Heavenly Host, thousands of generations of invincible, daring and righteous Russians... they could not be overcome, they could not be broken even now, they have stood, and they will stand in the future!” The writer persistently repeats that his work is not fantasy, but super-realism. Its characters and the plot itself are only partially fictional. Much, very much is taken from life itself. Even what seems incredible at first glance. One of Yuri Petukhov’s publications is called “Vampires, werewolves and cannibals among us.” This terrible document, compiled in chronological order, was prepared by the scientist Oleg Iskhakov. He selected the most eloquent examples of real monsters that fed on human flesh and blood. In Rus' they were called ghouls and ghouls. Among the historical vampire figures, the Roman emperor Claudius Nero and Diocletian are known, who indulged in satanic passion during night orgies. Cannibals also live not only in Africa. In the USA there are still lovers of human flesh to this day. Who hasn’t heard about the case of the rapist Chikatilo? Satanism has become one of the widespread religions in America, where no one is surprised by the inverted five-pointed star on the berets of New York bohemians. What about America! For the first time, the satanic pentagram appeared on the banners and helmets of the Red Army. It was introduced by none other than Lev Davidovich Trotsky-Bronstein, an ultra-Marxist and freemason revolutionary. How many innocent Russian people were tortured under this star! Among the internationalist executioners there were bloodsuckers not only figuratively, but also literally. The Hungarian Jew Bela Kun and his comrades alone tortured tens of thousands of White Guards and civilians in Crimea. The archives of the Cheka, NKVD and Gestapo keep many terrible stories. In the Middle Ages, a direction called “demonology” was developed in Christian theology. It was about the science of distinguishing demons, exposing witches, sorcerers, devils and other satanic forces. This science has been developed in modern Orthodoxy, at the center of which is the doctrine of “heavenly warfare.” According to Orthodox anthropology and metaphysics, man is the image and likeness of God, carrying within himself a spark of the Holy Spirit and the Kingdom of Heaven. Any developed personality is potentially able to achieve the perfection of the holy elders, but the enemy of Christ, Satan, strives by hook or by crook to kidnap the human soul, extinguish the spark of God in him, and deprive him of his will and freedom. It is this teaching that runs like a golden thread through the work of the best Russian writers: Gogol, Dostoevsky, Tolstoy, Bulgakov, not to mention theologians. Yuri Petukhov continues this Orthodox-mystical line, connecting the plots of his books with modern realities. Essentially, this is what his books are about: “Satanic Potion”, “Betrayal”, “Slaughterhouse”. Modern UFOs have become an analogue of medieval demons, devils and other demons. In this case, we are talking about that part of the “unidentified flying objects” that are identified with evil spirits. In modern science there is no strict polarization between the armies of Christ and the Antichrist, but many supernatural paranormal phenomena fall under the category of satanic. Petukhov’s book “Fiends of the Universe” on ufomania (UFO is the Latin abbreviation of the Western term “unknown flying objects”) is devoted to the classification of this kind of aliens. With the help of ufologists from the “Special Department of the Commission for Contacts with Aliens,” Petukhov collected unique information describing various types of UFOs and published a catalog of their hand-drawn portraits. Among the most exotic we will name: Pale watery dwarf chameleon, Anthropophagus armored head, Humanoid primate, Ichthyogradrus mucous-eyed toadlike, HT-humanoid blood-sucking, Brainsucker three-eyed, Pale blue sloth withering, Snakeworm rotten. It is impossible to list all the reptiles, especially since many of them are difficult to qualify. The newspaper "Voice of the Universe", edited by Petukhov, announced a search for satanoid UFOs with a bonus of 10. 000 rubles for capture. And the editors began to receive signals. People of different ages testified to terrible contacts with aliens, these quite intelligent, but not at all human beings. Some saw monsters during nightmares, others - in reality. Bulgarian scientist Todor Dichev commented on these phenomena from a scientific point of view. He is convinced that Russia, and especially Moscow, is in a state of “ecological-evolutionary and psychogenetic catastrophe.” We are zombified every day, irradiated with known and unknown energies, consciously and consistently turned into obedient biorobots. The terrible, repulsive picture of modernity, in its drama and monstrous details, resembles what in Christian literature is called the Apocalypse, the end of the world. Zombified biorobots and golems do not realize what stench and hell they are in, but to the spiritual gaze the picture is revealed in full, without embellishment. One after another, prophecies appear about the tragic death of humanity, the apotheosis of which will be the last battle of Angels and Demons - Armageddon. Not all prophecies are equally prescient. Not all details and dates come true. But their essence is true: human civilization is sliding into the abyss of total degeneration. Petukhov published several such prophecies, received through mysterious channels, in his newspaper. His attitude towards the appeals is generally critical, however, from his point of view, there are places in the prophetic texts that are worth attention. Besides, an intelligent person knows how to read between the lines.”

Author's works

Novels
• 1991 – XXII century. Slaughterhouse
• 1991 – Satanic Potion
• Pentalogy “Star Revenge”:
  1990 – Angel of Vengeance 1993 – Riot of the Ghouls 1994 – Descent into Darkness 1995 – Invasion and Hell 1996 – Sword of the Almighty

  Historical and popular science books

• 1990 – On the Roads of the Gods
• 1998 – Thunderer. Clash of the Titans
• 1998 – Cradle of Zeus: History of the Rus from “antiquity” to the present day
• 2000 – Black House: The truth about the October uprising of 1993. The secret mechanism of colonization and destruction of Russia by the “world community”
• 2000 – History of the Rus: 40-5 thousand BC: T. 1
• 2000 – Damned
• 2000 – Treason
• 2000 – Death of Commissioner Grooms
• 2000 – Goddess of Wrath. Love and Fury
• 2001 – Russian Khazaria
• 2001 – Secrets of the ancient Rus
• 2001 – Abyss
• 2001 – Oh, America!
• 2002 – History of the Rus: 4-3 thousand BC: T. 2
• 2003 – Normans. Rus of the North
• 2003 – Rus of the Ancient East

  Nonfiction books

• 1990 – Eternal Russia
• 1999 – Death of Russia. Writer's Diary
• 2000 – Black House. The truth about the October uprising of 1993
• 2000 – World War III is in full swing...
• 2000 – Colony

  Other books

• 1983 – After two springs
• 1989 – Yesterday, tomorrow
• 1991 - Treason, or I have only you: a lyrical and erotic novel about love and fidelity
• 2001 – God's Account: Poems
• 2001 – Life No. 8, or “Kill the President”

Collected works

Collected works: In 8 volumes - M.: Metagalaktika, 1993-1996. (P)
• T.1 – Star's Revenge: Fantasy-adventure epic novel. In 5 books. Book 1, 1993 – 720 p.
• T.2 – Star's Revenge: Fantasy-adventure epic novel. In 5 books. Book 2, 1994. – 735 p. 40,000 copies
  Riot of ghouls – p. Stories Stories
• T.3 – Star's Revenge: Fantasy-adventure epic novel. In 5 books. Book 3 – 1994. – 703 p. 40,000 copies
  Dive into Darkness - p. To burn the hearts of people with a verb...: Journalism
• T.4 – Star's Revenge: Fantasy-adventure novel-epic. In 5 books. Book 4, 1995. – 608 p. 25,000 copies
  Invasion from Hell - p. To burn the hearts of people with a verb...: Journalism
• T.5 – Star's Revenge: Fantasy-adventure epic novel. In 5 books. Book 5, 1996. – 576 p. 20,000 copies
  The Sword of the Almighty With the verb to burn the hearts of people...: Journalism
• T.6 – Satanic potion, 1995. – 640 p. 25,000 copies
  Satanic potion - p. Vampires, werewolves and cannibals among us - p. Damned, or a year and a half in hell - p.
• T.7 – Treason, 1996 – 640 p. 15,000 copies
  Betrayal: A Novel – p. Prose Poetry Journalism
• T.8 – Slaughterhouse, 1996. – 576 p. 15,000 copies
  Carnage: Novel Fiends of the Universe: Ufomania Burn people's hearts with a verb...: Journalism

Selected editions

• Monster: Action-packed fantasy and adventure stories and novellas / Hood. D. Tsirin, E. Kisel. – M.: Soviet writer, 1990. – 384 p. – (PF: Adventures, fantasy). 6 rub. 20,000 copies (o) ISBN 5-265-02156-6 – [Published at the expense of the author]
• Star's Revenge: Fantasy-adventure novel / Art. A. Chuvasov. – M.: Soviet writer; RPK "Olympus", 1990. - 392 p. – (PF: Adventures, fantasy). 8 rub. 100,000 copies (o) – [Published at the expense of the author]
• Trap: Action-packed fantasy and adventure stories and short stories / Hood. G. Kulikov. – M.: Metagalaktika, 1990. – 382 p. – (PF: Adventures, fantasy). 8 rub. 10,000 copies (o) – [Published at the expense of the author]
  Trap - p. Pain - p. Monster-2 – p. How is it in Paris? - With. Darkness - p. Wrathful God - p. In search of the “monster” - p.
• Space Hulk: A Novel. – Kirov: Literary and artistic publishing house of the Kirov branch of the SFK, 1990. – 184 p. - (Shining world). 20,000 copies
• Satanic Potion: Fantastic-detective “horror novel” / Hood. L. Shvetsov. – M.: Metagalaktika, 1991. – 384 p. – (PF: Adventures, fantasy). 100,000 copies (o) ISBN 5-265-02223-6 – Supplement to the magazine “Adventures, Fantasy”
  Satan's Potion: A Novel – p.5-274 Stories:
  Green ghosts – p.277-299 Oops! – p.300-328 Door to another world – p.329-343 Contact – p.344-353
• Monster: Action-packed fantasy and adventure stories and novellas / Hood. D. Tsirin, E. Kisel. – M.: Metagalaktika, 1991. – 384 p. – (PF: Adventures, fantasy). 10 rub. 70,000 copies (o) ISBN 5-265-02156-6 – [Supplement to the magazine “Adventures, Fantasy”]
  Star Curse - p. Phantom – p. Vrazhina – s. Trap - p. A small tragedy - p. Mercenary - p. Whirlwind - p. Monster - p. Soul – s. A little imagination - p. Robinson-2190 – p. Once upon a time - s. Reflector – p. Dream, or To each his own - p.
• Carnage: A Fantasy Novel; Trap: Fantastic detective. – M.: Soviet writer, 1991. – 320 p. – (PF: Adventures, fantasy). 8 rub. 30,000 copies (o) ISBN 5-265-02202-3 – [Published at the expense of the author]
  Carnage: A Fantasy Novel – p. Trap: Fantastic detective - p.
• Star's Revenge: Fantasy-adventure novel / Hood. A. Chuvasov. – M.: Soviet writer; RPK "Olympus", 1991. - 352 p. – (PF: Adventures, fantasy). 8 rub. 5,000 copies (o) ISBN 5-265-02199-Х – [Published at the expense of the author]
• Trap: Action-packed fantasy and adventure stories. – M.: “Metagalaktika” with the participation of the enterprise “Patriarch”, 1992. – 469 p. – (Adventures. Science Fiction. Vol. 2). 100,000 copies (P)
• Puncture: Collection. – M.: Metagalaktika, 1992. – 288 p. – (Appendix to the series “Adventures, Fantasy”). 5,000 copies
• Tramp. – M.: Metagalaktika, 1992. – (Appendix to the series “Adventures, Science Fiction”)
• Angel of Vengeance: A Novel. – M.: Metagalaktika, 1998. – 368 p. – (Empire of Thought). 10,000 copies (n) ISBN 5-85141-043-4
• Riot of the Ghouls: A Novel. – M.: Metagalaktika, 1998. – 368 p. – (Empire of Thought). 10,000 copies (n) ISBN 5-85141-044-2
• Descent into Darkness: A Novel. – M.: Metagalaktika, 1998. – 384 p. – (Empire of Thought). – 10,000 copies. (P)
• Invasion from Hell: A Novel. – M.: Metagalaktika, 1998. – 512 p. – (Empire of Thought). 10,000 copies (n) ISBN 5-85141-046-9
• Sword of the Almighty: A Novel. – M.: Metagalaktika, 1998. – 480 p. – (Empire of Thought). 10,000 copies (p) ISBN 5-85141-047-7
• Satan's Potion: A Novel. – M.: Metagalaktika, 1998. – 352 p. – (Empire of Thought). 10,000 copies (n) ISBN 5-85141-049-3
• XXII century. Carnage: A Novel. – M.: Metagalaktika, 1998. – 368 p. – (Empire of Thought). 10,000 copies (n) ISBN 5-85141-048-5
• Thunderer: Clash of the Titans: Historical Novel. – M.: Metagalaktika, 1998. – 432 p. - (Eternal Rus'). 10,000 copies (n) ISBN 5-85141-010-8
• Damned: Collection. – M.: Metagalaktika, 2000. (p)
• The Death of Commissioner Grooms: Collection. – M.: Metagalaktika, 2000. (p)
• Mercenary: Collection. – M.: Metagalaktika, 2000. (p)
• Angel of Vengeance: A Fantasy Novel. – M.: Magazine “Adventures, Fantasy”, Metagalaktika, 2002. – 366 p. – (Adventures, fiction: Issue 1. 2002). 3,000 copies (n) ISBN 5-85141-033-7
• Riot of the Ghouls: A Fantasy Novel. – M.: Magazine “Adventures, Fantasy”, Metagalaktika, 2002. – 368 p. – (Adventures, fiction: Issue 2. 2002). 3,000 copies (p) ISBN 5-85141-034-5
• Descent into Darkness: A Fantasy Novel. – M.: Magazine “Adventures, Fantasy”, Metagalaktika, 2002. – 384 p. – (Adventures, fiction: Issue 3. 2002). 3,000 copies (n) ISBN 5-85141-037-Х
• Invasion from Hell: A Fantasy Novel. – M.: Magazine “Adventures, Fantasy”, Metagalaktika, 2002. – 512 p. – (Adventures, fiction: Issue 4. 2002). 3,000 copies (n) ISBN 5-85141-038-8
• Sword of the Almighty: A Fantasy Novel / Art. A. Filippov, O. Mandryka. – M.: Magazine “Adventures, Fantasy”, Metagalaktika, 2002. – 480 p. – (Adventures, fiction: Issue 5. 2002). 3,000 copies (n) ISBN 5-85141-039-6
• Carnage: A Fantasy Novel / Hood. A. Kazarov, A. Filippov, O. Mandryka. – M.: Magazine “Adventures, Fantasy”, Metagalaktika, 2002. – 368 p. – (Adventures, fiction: Issue 6. 2002). 3,000 copies (p) ISBN 5-85141-040-Х
• Closed loop. – M.: Metagalaktika, 2004. – (Adventures, science fiction: Issue 1. 2003)
• Black hole. – M.: Metagalaktika, 2004. – (Adventures, science fiction: Issue 2. 2003)
• Someone else's game. – M.: Metagalaktika, 2004. – (Adventures, science fiction: Issue 3. 2003)
• Planet Navey. – M.: Metagalaktika, 2004. – (Adventures, science fiction: Issue 4. 2003)
• Den of Death. – M.: Metagalaktika, 2004. – (Adventures, science fiction: Issue 5. 2003)
• Monster. – M.: Metagalaktika, 2004. – (Adventures, science fiction: Issue 6. 2003)

Russian writer, historian, philosopher, publicist. Ideological anti-Semite. Editor-in-chief of the magazines “History”, “Metagalaxy”, “Genuine History”. Founder and editor of Russia's first independent newspaper "Voice of the Universe". One of the most read writers in Russia. The total circulation of publications is 16.5 million copies.
Author of the legendary philosophical epic “Star Revenge” (pentalogy) and the tragic novel “XXII Century. Slaughter." Creator of the literary movements “supernova black wave” and “superrealism”.
A historian who has made a number of important discoveries in the field of anthropogenesis, ethnogenesis, myth analysis, Indo-European studies, ancient human history (“The Roads of the Gods”, “The Cradle of Zeus”, “History of the Rus” in 3 volumes, etc.). Research scientist, encyclopedist, traveler, who studied the centers of the most ancient civilizations of Europe and the Middle East directly on the spot (the first and so far the only one in Russia).
In 1991, he put forward the thesis about the accomplished Third World War and, as a consequence, the global redistribution of the world (the books of journalism “The Third World War in Height”, “The Black House”, “Colony”, “The Death of Russia”, “On the Ruins of the Third World War” ) is a passionate publicist who does not accept both the terry Russophobic “Marxism-Leninism” and its newest perverted formation - “Russian democracy” and the misanthropic “reform policy” aimed at the wholesale destruction of the peoples of Russia. Consistent and irreconcilable critic of the communist and “democratic” regimes established in Russia by the “world community”. Right-wing (not to be confused with today's false right-wingers!) traditionalist, progressive imperialist-power holder, apologist for Russian cosmism and universal messianism of the Russian supranational idea.
Author of the new philosophical concept “Devil-humanity, or Philosophy of Healing. Humanity is like a cancer of the Earth and the Universe. Curing the disease."
PS. The assessment of the author and his work is very ambiguous. According to Viki, on July 20, 2006, on the initiative of the prosecutors of the Central District of Volgograd, a group of psychologists, political scientists and linguists conducted a comprehensive study of Petukhov’s works, as a result of which the researchers came to the conclusion that the texts promote ideas of inciting racial, national and religious hatred , cult of violence and cruelty, xenophobia. Materials were sent to the Moscow prosecutor's office to determine whether there was a crime.
On February 5, 2007, the Perovsky Court of Moscow created a precedent for banning books containing literary and artistic texts. The court used the Russian Federation Law “On Combating Extremist Activities” in relation to Petukhov’s books. The writer’s books “The Fourth World War” and “Genocide” are recognized as extremist, banned, subject to confiscation and destruction. Not available in the Library.

Books:

No series

The Beast (collection)

(Apocalyptic and Post-apocalyptic fiction)

Satan's Potion (collection)

(Horror and mysticism)