Children's books      02/17/2020

Psychology test to finish drawing. Do devils live in still waters? With projection

Psychoanalytic test 6 squares online on the blog of the psychologist of happiness. The most complete and broad psychoanalytic interpretation of your drawings of this test. Draw 6 drawings and get a psychological transcript of the test.

Psychoanalytic tests

How does the Psychoanalytic test of 6 squares differ from the psychological one?

It practically does not differ, since the practice of psychology is the direct heir of psychoanalysis.

The blog of the psychologist of happiness has already collected a decent collection of psychological and psychoanalytic tests online.

Psychological tests online at www.site

Today, the psychologist of happiness will be replenished with a real test based on psychoanalysis.

Psychoanalysis, psychiatry, psychology or psychotherapy?

Consider briefly the development psychological testing in the historical sequence of development of fundamental sciences.

Psychologist, psychoanalyst, psychotherapist and psychiatrist - who to choose?

First, psychiatry arose, then the psychiatrist Sigmund Freud founded the psychoanalytic school of psychiatry, then a branch of medical psychology, psychotherapy, and a branch of psychological science spun off from psychoanalysis.

Psychologist works with the soul of a person, he does not make diagnoses and does not prescribe drugs, the psychologist works within the limits of the mental and personal norm. However, he can exercise psychotherapeutic influence and apply psychoanalytic techniques in his work. is not a medical psychologist.

Psychoanalyst-psychologist works by the method of psychoanalysis, it analyzes the mental, dreams, personality of the client.

Psychoanalyst-doctor can add therapeutic techniques, hard hypnosis and physio procedures to psychoanalysis.

Psychotherapist is a doctor who has undergone psychological or psychoanalytic training.

Psychiatrist- a doctor who works with mentally ill people and clients with various pathologies and personality disorders. He works in an abnormal way.

Today we will get acquainted with psychoanalytic - and analyze some of the traits of our personality and attitudes towards certain areas of our lives.

Psychoanalytic test 6 squares online

There are 6 squares in front of you in the figure, each of which has an unfinished drawing - and you can finish it in any way you like.

Before you start following the instructions for this test, let's agree on some aspects of interpretation.

Bottom of each square is the material plane, and top of the square is the spiritual plane of being.

Left third of the square- this past, middle- present and right third of the square- future.

If you have finished objects in your drawings - for example, an animal, some kind of sign - search the internet for symbolic meaning these objects.

Name each drawing- this will give Additional information on the subject of a square, even if the drawing is symbolic, still try to give it a name.

Because the you will do the main analysis yourself- this information can give you a lot of nuances.

You can ask questions about the analysis of the 6 squares test in the comments to this article.

Instructions for the test Psychoanalytic test 6 squares:

Instruction: draw sequentially (from right to left and from top to bottom - starting from the upper left square with a dot) a drawing in each of the 6 squares.

Draw quickly without thinking or trying to guess what should be drawn and how it will be deciphered.

In psychoanalytic tests, there is no pre-prepared interpretation and evaluation of the test material.

Deciphering the test 6 squares

A brief meaning of each of the 6 squares-drawings, which is intended only to push you to your own insight - a discovery about yourself.

Square #1 OBJECTIVES

The drawing that you have drawn in this square shows the nature of your goals.

If you draw a line or several lines through a point in the center, look in which direction the drawing is directed, how many of these target lines are.

When the dot becomes the center of the figure, you may now have a , which you are following. If the dot is the eye of some creature, then you have a very good idea of ​​what you want.

If you have drawn many other points nearby, then you have many goals and you cannot choose the main one.

Square No. 2 CONFORMISM

Your drawing in the second square tells how much you are on the part of other people or other people's ideas.

If you draw one more wavy line or more, you are dependent on the opinions of others.

If you have an independent object - a boat, an airplane or something else - you tend to make decisions on your own.

By itself, the object in this drawing tells you how conservative or creative you are.

Square No. 3 HOUSE

Figure 3 of the square shows your attitude towards family and home.

The small square in the figure also shows family principles, and everything else - the outside world.

Where you have more elements, your attention is directed more there.

If a small square has become a window, and the rest of the space has become a room, then the family is everything for you, and the rest of the world is just a background.

Square number 4 COMMUNICATION

The drawing in the 4th square allows you to measure your ability to interact and find a common language with other people.

If you have connected two lines, you are a sociable person. If the lines have become a single whole - a river or a road, then communication with people is at the heart of your life.

If new objects appear in the picture, decipher their symbolic meaning - this will give a broader understanding of your ability to communicate.

Square number 5 THINKING

In this picture, we check whether your thinking is concrete or abstract.

If you drew something real - a fruit, a person, a car - you have . This means that you are friends with logic and can make a successful career as a manager or financier.

Have you drawn an incomprehensible pattern of circles, curls and dots? You think creatively. You will submit to both painting and the theater stage!

Again, all attention symbolic meanings drawn objects and their location on the square.

Square number 6 LOVE

In this picture, you will understand your attitude towards interaction with the opposite sex.

This picture is interpreted almost like dreams. If you have combined two lines into something high, you have forbidden thoughts. Torch - you lack passion. Or, for example, a skyscraper with windows - you are at the stage of choosing a partner. If these are trees, then you need warmth and romance.

The drawing in the 6th square shows your position and or in friendly.

ATTENTION: Mark the square that caused the most difficulty or in which nothing sensible could be drawn.

Perhaps while drawing in one of the squares you experienced some feeling: resentment, irritation, passion, tenderness or something else - write in the comments and I will tell you how it can be interpreted.

An example of decoding a test of 6 squares-drawings

Let's briefly go through the decoding of the psychoanalytic test, perhaps this will make it a little easier for you to evaluate and analyze your own drawings.

An example of a completed test 6 squares

I’ll make a reservation right away - the decoding of the drawings is far from complete - since the online format does not allow you to expand in breadth and depth.

Square number 1. Many lines cross a point in the center - a person may have right now, in the present there are a lot of current and problematic tasks that fetter a person’s energy, as if he was caught in a web (the picture resembles a spider). Although, perhaps the person himself would see the cracked earth (desert) - then we would talk about his loneliness and emptiness, or the sun - the mood is close to apathy and fatigue. And it's all about achieving goals, fulfilling dreams and solving everyday problems.

Square number 2. The person is rather dependent, conformal. Moreover, spiritually, he is influenced by several ideas at once and seems to be completely confused, but the ground is leaving from under his feet. He is sucked into the quagmire of routine affairs, in which there is also a lot of lack of assembly.

Square number 3. A person is only looking for ways to create a family, build his own house. Coldness and loneliness. There is influence from the past that prevents him from setting clear boundaries, in addition, in relations with the candidate, there may be a conflict of two value systems.

Square number 4. There are some problems in communication, an attempt to link their past and future. Moreover, there is no clear plan in communicating with other people - where the curve will lead. The behavioral repertoire is narrow - further development of communication skills is required.

Square number 5. Thinking is concrete, although the rudiments creativity exist, but they are not developed in full force. The theme of the "spider" pops up again - I would recommend studying this symbol in more detail.

It is believed that it spider is symbol the fate of man, and symbol those who personally create their own destiny.

Spider- ancient symbol creation, creativity and hard work.

But with this material it would be nice - for example, to the author of a blog.

Square number 6. A person in the past lacked love, or rather, on the contrary, the memory of past relationships warms. Currently, the love front is empty. Either a flag “for help” is hung out, or a person is waiting for a spring swallow that will bring good news. there is a desire in the near future to connect your heart with another.

Proposal for the test 6 squares from the psychologist of happiness

I will be happy to answer questions and requests in each comment on this test.

If you want to order a full analysis of this test, in relation to your current situation or problem - order a 3-month subscription with a psychologist(with a discount of 950 rubles) and get a transcript of the test 6 squares as a bonus - as a gift for this service * .

* Quantity complete analyzes test is limited because it is time consuming!

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  • The art of interpreting drawing tests requires familiarity with big amount different options completing tasks.
    In order to successfully carry out psychological diagnostics according to Russian methods, it is not enough to know the value of certain test indicators. It is also necessary to master the general logic of analysis, which makes it possible to consider these indicators in their interrelations. Otherwise, instead of a complete picture, we will get an unsystematic set of psychological characteristics. For example, such evaluation criteria are given as: "The eyes are bulging - rudeness, callousness ... Eyebrows are rare, short - contempt, sophistication." However, the indicators taken into account when interpreting drawing tests are not unambiguous. So, bulging eyes can appear in the picture not only as a result of rudeness, callousness, but also as a symptom of the presence of fears or as a manifestation of a suspicious attitude towards others. Very often the same feature can be interpreted in two, three or four different ways, depending on what other features it is combined with.

    How can you find out something about a stranger that he himself, perhaps, does not know? You can learn a lot about yourself by taking the Wartegg test. It is based on an unfinished drawing and allows you to learn interesting things about the most different sides of the personality.

    With the help of graphic projections (associative drawings) of Wartegg squares, you can learn about such aspects of the personality, manifested in graphic symbols, such as:

      self-esteem

      social skills

      ambitions, activity and ways to achieve the goal

      internal stability

      features of personal relationships

      attitude towards fear

      sense of security

    At first glance, it may seem that every person already knows everything about himself. In fact, this is not entirely true. We are often in captivity of subjective delusions, we do not always understand ourselves and others, we ignore our unconscious and believe that everything depends only on our conscious efforts. A huge layer of information about ourselves and others is simply inaccessible to our consciousness.

    About the Wartegg Method

    The Wartegg test belongs to the category of expressive-projective methods of personality research, it is a method of unfinished drawing.

    For a graphologist, this is a private, additional research method. It helps to understand the visual, symbolic meanings that a person has regarding one or another side of life (regarding himself, the people around him, his plans and aspirations, the way he acts, anxieties and fears, etc.).

    The test measures visual-spiritual, semantic relations of a person, which are based both on vital (psychophysiological, subconscious features) and motor-volitional (conscious) functions.

    The test was proposed for use by Eric Wartegg (a German psychologist) in the 30s of the last century. The test is most common in Europe. In our country, he is little known, but Lately with the advent of the Russian-language monograph of this test, edited by V. Kalinenko, they began to talk about it and use it more.

    Graphic test "Wartegg"

    Stimulus material (the test itself) is a standard form with 8 squares, each of which shows simple figure or lines.

    Instructions for the test

    Before you are eight squares, each of which has something depicted. Continue what you see and draw any picture in each of the squares, in any order, sign in what order you filled out the test and indicate what is drawn in the pictures.

    The test stimuli and their sequence are selected in such a way that each of them provokes the projection of a certain mental area. That is, each stimulus drawing is "addressed" to a certain area of ​​the individual, to a certain aspect of the personality.

    Wartegg squares

    1 square

    Archetypally (symbolically) a dot means the beginning, a moment, the middle of something. In a psychological sense, it reflects the Ego concept, I, worldview, the search for oneself, the self of a person.

    2 square

    The archetypal wavy line signifies the fetus (an unprotected human being). How a person treats him in a drawing will mean how he adapts to the world around him. The surrounding world is an aggressive environment for this embryo, or vice versa, an environment conducive to its development.

    In a psychological sense, it reflects emotional dependence, emotiveness, empathy, involvement with other people, contact with society, social adaptation (to people) in the world of people. This square reflects social aspect personality.

    3 square

    Three ascending lines mean rise, strengthening, ascent, development. In psychological terms, they correspond to such categories as ambition, motivation, aspiration, perseverance, initiative, plans for the future, career growth.

    4 square

    Archetypally, the black square denotes danger, fear, guilt. Psychologically, this square reflects: the unconscious, aspects of fear, guilt, shame.

    5 square

    Archetypally, two perpendicular, non-intersecting lines represent opposition, resistance, the impulse to act, and an obstacle in the way. Psychologically, this square reflects volitional regulation, dynamism, active beginning, achievement motivation, or motivation to avoid difficulties. Moving forward and a way to overcome obstacles.

    6 square

    Two lines archetypally mean opposite beginnings, going in different directions, and requiring intersection. Psychologically, it gives an idea of ​​the desire (not desire) of a person for integration, connection.

    7 square

    Points mean receptivity, refinement, intuition, sensual (feminine) beginning, response to stimuli (excitability threshold). How receptive a person is to external stimuli, to internal sensations.

    Psychologically, it reflects a person's ability to emotional sensuality, sensitivity, tact, thin-skinnedness or the absence of these qualities.

    8 square

    The arc means a protective principle, harmony, unconditional acceptance, a sense of protection. Psychologically reflects the spiritual basis, balance of a person, a sense of satisfaction, an inner sense of security.

    Speaking about this test, one cannot ignore graphic signs: features of pressure, stroke thickness, movement speed, dynamism, static, emphasis on the shape of a drawing or movement, lightness or heaviness of lines. All these features will be repeated in handwriting. It is they who will tell about the internal structure of the personality, about innate and acquired qualities.

    Considering just the content of the picture, you can have an approximate idea of ​​the normativity or problematic aspect of the studied aspect, the perception and attitude of a person to this psychological area.

    Considering the same graphic signs, and especially handwriting, you can get much more informative information regarding the complex structure of the personality. Handwriting gives an understanding of what is happening to a person, why it is happening, how long it has been happening, what is inherent in nature and is unchanged, and what has been formed under the influence of environmental conditions, upbringing, and temporary stresses.

    Interpretations of the Wartegg test

    The test was performed by Oksana Fedorova, TV presenter, Miss Universe

    1st square "Flower of love"

    The image is a typically feminine solution. It is worth paying attention to the nature of the image of this flower: the point (Ego, I) is the center of a small circle, to which many petals adjoin. Both the circle and the petals cover the central point from external influences, they act as a kind of shields, protective mechanisms. A closed, selective person hides true feelings and emotions.

    2nd square "Jug - grace"

    The jug resembles a human silhouette. The emphasis is shifted to the contour, and it is conveyed by strong pressure and blackening. Now a person is experiencing some difficulties in social adaptation: his role in society has not yet been fully defined, much is given to the image, the external component, while the depth, essence remain hidden, implicit. Strong tension in psychomotor manifestations indicates dissatisfaction with this state of affairs.

    3rd square "On top of the world"

    the movement on the rise is continued to the limits of the square, which reflects the ambition and high claims of the drawing. And the very name of the picture indicates that we have a person who is striving to realize himself in full.

    4th square "Point of attraction"

    The black square is the point of attraction for square elements of various sizes and sizes. Graphically, the lines and strokes in this square are made schematically, with a slight pressure. The continuation and growth of the black square motif indicates a growing underlying inner anxiety and fear. The location of the square indicates the partial displacement of these states from consciousness. A person sets himself up in a more positive and optimistic way. However, he himself is not entirely sure of this positive attitude.

    5th square "Sword"

    The sword has a somewhat fake appearance and does not carry the motive of aggression (which is often the case in drawings depicting weapons). The sword is used rather as some attribute of self-defense. The intersection of two perpendicular lines indicates activity, a developed motivation to overcome difficulties.

    6th square "House"

    Typically female decision. The nature of the image of the house is interesting: it is closed from strangers, there is a fence.

    There is a desire for integration, connection, building personal relationships. However, these relationships are not widely publicized, they are carefully hidden even from close people.

    7th square "Duet"

    The picture reflects the desire to hide one's inner vulnerability, sensitivity, not to show vulnerability outwardly (points are circled). The plot of the picture indicates an inner desire for connection, the need to be in a pair, an unconscious need for unconditional acceptance, support from the outside.

    8th square "Escape from the rain"

    The figure shows the desire of a person to find shelter, a place where you can hide from external influences, negative impact environment. We need rest, the opportunity to feel safe. The location of the square reflects the super-relevance of this intention for today.

    Summary: Sensual and sensitive nature, femininity, softness, flexibility. At the same time, she is closed, selective, not showing her true feelings and emotions outside, “on her mind”. High ambitions are combined with the motive for achieving goals, which indicates active self-realization. However, a person has not yet found his place in life, there is no satisfaction in his social status either. Unconscious need for unconditional acceptance, a sense of support and inner security.

    The test was performed by a woman, 26 years old

    The stinginess of filling in the fields, the conciseness of the drawings, the emphasis on geometric shapes are striking. Such decisions are not typical for a young woman.

    1st square: target. The target motif in the first square is a typical male version. Point in the center (EGO): emphasis on individualization, one's self. However, the point itself is not enlarged, not drawn, not outlined, no manipulations are carried out with it at all. She was "left alone", surrounded by a circle. The space of the circle around is a zone of a person's personal space, and in this space there are no more objects, connections, etc. The point in the center is lonely - and this is not just introversion, but outsiderness, a tendency to autism.

    2nd square: little filled. Eye - fears, fears of contacts, isolation in communication. The 2nd square is forced out to the 7th place, which is an indication of the displacement social area because of her frustration. The person rationalizes their fears about the relationship. She is closed, "looks" at the world around her, tries to avoid active contacts, all the time "on the watch".

    3rd square: there is no continuation of the ascending lines, but also no continuation of the pattern to the right at all. There was a stop in self-development, there are no ambitions aspiring to the future, a person is content with what he has (based on the interpretation of squares 1 and 2, this stop is dictated by fears and insecurity both in relation to oneself and relationships with people).

    4th square: continuation of the motif of the original black square. The motive of fear and anxiety is generalized. At the same time, a person keeps all his fears to himself (inside the house), opens up to few people, does not show his feelings. The motif of loneliness, self-absorption is repeated.

    5th square: correlates with the 3rd and shows that the fear of moving forward, a stop in motivation is also present here. Overcoming obstacles is difficult (the line is not overcome, does not intersect). Frustration.

    6th square: area of ​​personal relationships. The square is located in the 2nd place, which shows the relevance of this area. Strives for integration, connection, but, paying attention to the problematic nature of the remaining squares, and given the dryness, lifelessness of the motive of the square itself (a dry rectangle, lifeless, without details, geometric figure), is simply a desire to gain confidence and stability in personal relationships without the ability and understanding of how to do it. Her restraint, closeness, suppressed emotionality dictate a too straightforward and formal style of behavior in personal relationships. The square also shows the style of thinking. There is coherence, consistency, rationality.

    7th square: muzzle. A single living being appears. Sensuality, sensitivity, emotiveness. But, since the 7th square reflects the unconscious, the inner, this emotiveness and sensuality is suppressed, it exists deeply and is not externally broadcast in any way, it is clamped down by prohibitions and taboos.

    8th square: circle, without additional details. Rationalization, inner world hermetically sealed. The motive of the 8th square echoes the 1st square.

    Graphic features: dominated by lines, angles, arcades, narrow, concise forms, a lot of empty space, a thin line, with little pressure.

    Summary: difficulties in relationships, self-manifestation, adaptation. A high degree of rationalization, blocking the output of immediate reactions, even in the form of ordinary emotions (joy, sadness, interest). Strong taboos, prohibitions. Motives of loneliness and outsidership. Not femininity, dryness, criticality, straightforwardness. Increased control and oppressive super-ego.

    The test was performed by a woman, 31 years old

    The order of filling in the squares is normative. But, in this case, such filling is a tribute to formalism, standard thinking. This is indicated by graphic signs: careful drawing of details, strong pressure, clear lines, without schematizations and simplifications. The drawings are in perfect style.

    In the 1st square(square Ego) - a flower. For a woman, this is a normative decision. But the narrowed petals, their closeness, tightness, isolation indicate an increased reaction of protecting one's Self. This is also indicated by a leaf made with angular movements.

    It is interesting how the petals are similar to the formation of letters in handwriting. The same deep and narrow garlands and arcades.

    In the 2nd square(square of sociality) a seagull soaring in the sky, in a flock of the same seagulls over the sea and a sailboat.

    In this motif there is a detachment from reality (the earth, active standing on one's feet). Such a projection indicates a loss of connection with one's true desires and needs. The emphasis on the rational zone (top of the figure) indicates increased processes of rationalization, suppression of feelings, direct response, nature.

    3rd square(square of ambitions and plans). Problematic solution. There is no upward movement. Draws a lot of limiters and obstacles on the way. Shading in the figure indicates psychomotor tension caused by the proposed stimuli.

    There are a lot of such blackenings in the test as a whole. Psychological trouble, frustration already affects various planes of a person's mental activity.

    4th square(square of unconscious anxieties, fears). A very unusual solution for this square. Photo of a family, with complementary black squares at the corners of the frame. There are blackouts. There is chronic anxiety, possibly guilt, dissatisfaction.

    5th square(implementation of ambitions and plans). An arrow pointing at itself (in the lower left corner). The motif of the drawing speaks of excessive reflection, fear of moving forward, and a stupor in activity.

    6th square(square of personal relationships, integration). The lines are connected to each other not by themselves, but through an additional line. Everything is blacked out, shaded. The zone of personal relationships is clearly forustriated, there is no trust in others. Relationships develop according to the type: you - to me, I - to you, through the fulfillment of some conditions, special rules and norms. There is no direct acceptance of others, openness.

    7th square(square of sensitivity). The cat arched its back. We can say that inwardly she listens very sensitively, looks closely and feels the world. He is in a defensive position. The very pose of the cat resembles an arcade.

    8th square(square of unconditional acceptance, harmony). In this square, a dynamic solution is encountered for the first time. Internally, a person feels the need to move forward, to solve their problems. But, at the same time, protection is needed, a guarantee of the safety of such movement (car).

    Summary: perfectionism, criticality, normativity, standard perception and thinking that interfere with self-realization, individualization of the individual. Closeness, detachment from society, position of protection from the world, distrust. Suppression of true feelings, impulses by excessive rationalization, prohibitions and taboos. Against this background, the development of anxiety, frustration, internal conflicts. The need for caring social conditions, unconditional acceptance.

    Handwriting analysis shows: the predominance of psychomotor control over freedom, perfectionism, standardity, normativity of form, the presence of a mask, measured movement, slow speed, strong pressure, dominance of the 7th potency according to Odem, Jung's psychotype is an introverted ethicist with sensory.

    ART METHOD

    Instruction: Look carefully at the form. You need to draw or draw a picture in each square. Some squares indicate what should be drawn (crocodile, elephant, signature), in the rest - draw what you want, what you think the image looks like.

    Interpretation:

    1st square;

    If a point is a semantic center, then such a person strives for a maximum, full-fledged orientation, passing the world around through his ideas and concepts.

    If the point is not noticed, then a person in life does not notice what surrounds him, does not take into account many elements of the environment, his behavior proceeds outside the situation.

    If the point is part of something, such people strive to take into account every element of the environment, but are extremely indecisive, they do not believe in their own strength, which leads to an active, but passive orientation.

    If the point is masked, a person strives for maximum information in the environment, exaggerating its value.

    2nd square;

    Reveals aggressiveness. Direct symbols of aggression are an open mouth, teeth, claws, large sizes of the picture. If the crocodile eats something, the presence of spikes is a protection from others if it is attacked.

    Brightly traced eyes - increased susceptibility and suspicion. Tail - symbolizes vindictiveness.

    Hidden aggression: if psychological characteristic does not match the picture if it is camouflaged in the thicket or floating in the water.

    If the picture looks to the right - a look into the future, if to the left - into the past.

    3rd square;

    Behavior in social group . If the drawing goes beyond the square, this indicates a violation of the norms of behavior. Tusks - aggressive behavior in a group.

    Ears - a direct interest in information, the significance of the opinions of others about oneself. Raised trunk - the desire to attract attention. Eyelashes - the presence of demonstrative traits in character. Raised tail - a positive assessment of oneself, one's actions in the group. Lowered tail - dissatisfaction with oneself.

    Big elephant - the desire for dominance in the group, the presence of leadership qualities.

    If the drawing is located on the face - the egocentrism of social interaction, behind - a dismissive attitude towards society.

    If the square is somehow decorated, such people perceive the social environment as something frozen, their usual behavior is stereotypical.

    4th square:

    Reveals features of communication. If the painting is not in the center of the square, these people adhere to formalized and regulated communication.

    In the upper part - the desire to emphasize their social status.

    In the lower part - people adhere to strict social-role communication.

    Sociable people put their painting in the middle of the square.

    The presence of the initial letters of the name and patronymic - the desire for self-affirmation. If it goes up - high self-esteem.

    5th square:

    Subjective perception of actions, attitude to reality.

    If the drawing is divided in half or the contradictions are trying to be combined - such people do not seek to unambiguously define the situation, they are not embarrassed by the existing contradictions, they perceive life as it is.

    If contradictions are not noticed, this is an unformed approach to reality.

    Subjective association of contradictions - a person is drawn who sunbathes and sleeps - egocentrism in assessing reality.

    6th square:

    Reveals relevant vital information with the opposite sex.

    If the image of water is mistaken for soil, this is due to an emotionally sensitive experience of relationships, or to the problem of dissatisfaction.

    The presence of birds - hopes and dreams.

    Ship - Availability actual problem(no ship, no actual problem).

    Additional details - great importance household design of personal relationships.

    7th square:

    behavior in a conflict situation.

    If an inclined figure is mistaken for a Christmas tree and a person cuts or saws it - resolution of the conflict situation with the help of aggression.

    A lot of inclined figures are drawn - the resolution of the conflict situation by aggravating it.

    If an upright figure is drawn with an inclined row or it stabilizes, this is a rational resolution of the situation.

    If a rocket or a flock of cranes is being made, people try to neutralize the conflict by pushing it out of their consciousness.

    Hemp, animals running away from the Christmas tree - passive resolution of the conflict situation.

    If fireworks are made from a Christmas tree, it often explodes in a conflict situation.

    8th square:

    Self-portrait.

    Inanimate - a person does not know what he is.

    Closed lines - a closed person. Strong pressure - high anxiety, weak lines - low energy level.

    Do you want to learn how to decipher the signs of the subconscious? With the help of graphic projections (associative drawings) of Wartegg squares, you will learn about such aspects of the personality that appear in graphic symbols, such as:

    • self-esteem;
    • social skills;
    • ambitions, activity and ways to achieve the goal;
    • internal stability;
    • features of personal relationships;
    • attitude towards fears;
    • a sense of security;
    • and much more…

    At first glance, it may seem that every person already knows everything about himself. In fact, this is not entirely true. We are often in captivity of subjective delusions, we do not always understand ourselves and others, we ignore our unconscious and believe that everything depends only on our conscious efforts. A huge layer of information about ourselves and others is simply inaccessible to our consciousness.

    About the Wartegg Method

    The Wartegg test belongs to the category of expressive - projective methods of personality research, it is a method of unfinished drawing.

    For a graphologist, this is a private, additional research method. It helps to understand the visual, symbolic meanings that a person has regarding one or another side of life (regarding himself, the people around him, his plans and aspirations, the way he acts, anxieties and fears, etc.).

    The test allows you to measure the visual-spiritual, semantic relationships of a person, which are based on both vital (psychophysiological, subconscious features) and motor-volitional (conscious) functions.

    The test was proposed for use by Eric Wartegg (a German psychologist) in the 30s of the last century. The test is most common in Europe. In our country, it is little known, but recently, with the advent of the Russian-language monograph of this test, edited by V. Kalinenko, they began to talk and use it more.

    Graphic test "Vartegg"

    The stimulus material (the test itself) is a standard form with 8 squares, each of which contains a simple figure or lines.

    Instructions for the test

    Before you are eight squares, each of which has something depicted. Continue what you see and draw any picture in each of the squares, in any order, sign in which order you filled out the test and indicate what is drawn in the pictures.

    The test stimuli and their sequence are selected in such a way that each of them provokes the projection of a certain mental area. That is, each stimulus drawing is "addressed" to a certain area of ​​the individual, to a certain aspect of the personality.

    Wartegg squares

    1 square

    Archetypally (symbolically) a dot means the beginning, a moment, the middle of something. In a psychological sense, it reflects the Ego concept, I, worldview, the search for oneself, the self of a person.

    2 square

    The archetypal wavy line signifies the fetus (an unprotected human being). How a person treats him in a drawing will mean how he adapts to the world around him. The environment is an aggressive environment for this embryo, or vice versa, an environment conducive to its development.

    In a psychological sense, it reflects emotional dependence, emotiveness, empathy, involvement with other people, contact with society, social adaptation (to people) in the world of people. This square reflects the social aspect of the personality.

    3 square

    Three ascending lines mean rise, strengthening, ascent, development. In psychological terms, they correspond to such categories as ambition, motivation, aspiration, perseverance, initiative, plans for the future, career growth.

    4 square

    Archetypally, the black square denotes danger, fear, guilt. Psychologically, this square reflects: the unconscious, aspects of fear, guilt, shame.

    5 square

    Archetypally, two perpendicular, non-intersecting lines represent opposition, resistance, the impulse to act, and an obstacle in the way. Psychologically, this square reflects volitional regulation, dynamism, active principle, achievement motivation, or motivation to avoid difficulties. Moving forward and a way to overcome obstacles.

    6 square

    Two lines archetypally mean opposite beginnings, going in different directions, and requiring intersection. Psychologically, it gives an idea of ​​the desire (not desire) of a person for integration, connection.

    7 square

    Points mean receptivity, refinement, intuition, sensual (feminine) beginning, response to stimuli (excitability threshold). How receptive a person is to external stimuli, to internal sensations.

    Psychologically, it reflects a person's ability to emotional sensuality, sensitivity, tact, thin-skinnedness or the absence of these qualities.

    8 square

    The arc means a protective principle, harmony, unconditional acceptance, a sense of protection. Psychologically reflects the spiritual basis, balance of a person, a sense of satisfaction, an inner sense of security.

    Speaking about this test, one cannot ignore graphic signs: features of pressure, stroke thickness, movement speed, dynamism, static, emphasis on the shape of a drawing or movement, lightness or heaviness of lines. All these features will be repeated in handwriting. It is they who will tell about the internal structure of the personality, about innate and acquired qualities.

    Considering just the content of the picture, you can have an approximate idea of ​​the normativity or problematic aspect of the studied aspect, the perception and attitude of a person to this psychological area.

    Considering the same graphic signs, and especially handwriting, you can get much more informative information regarding the complex structure of the personality. Handwriting gives an understanding of what is happening to a person, why it is happening, how long it has been happening, what is inherent in nature and is unchanged, and what has been formed under the influence of environmental conditions, upbringing, and temporary stresses.

    Interpretations of the Wartegg test

    The test was performed by Oksana Fedorova, TV presenter, Miss Universe

    1st square "Flower of love"

    The image is a typically feminine decision. It is worth paying attention to the nature of the image of this flower: the point (Ego, I) is the center of a small circle, to which many petals adjoin. Both the circle and the petals cover the central point from external influences, they act as a kind of shields, protective mechanisms. A closed, selective person hides true feelings and emotions.

    2nd square "Jug - grace"

    The jug resembles a human silhouette. The emphasis is shifted to the contour, and it is conveyed by strong pressure and blackening. Now a person is experiencing some difficulties in social adaptation: his role in society has not yet been fully defined, much is given to the image, the external component, while the depth, essence remain hidden, implicit. Strong tension in psychomotor manifestations indicates dissatisfaction with this state of affairs.

    3rd square "On top of the world"

    the movement on the rise is continued to the limits of the square, which reflects the ambition and high claims of the drawing. And the very name of the picture indicates that we have a person who is striving to realize himself in full.

    4th square "Point of attraction"

    The black square is the point of attraction for square elements of various sizes and sizes. Graphically, the lines and strokes in this square are made schematically, with a slight pressure. The continuation and growth of the black square motif indicates a growing underlying inner anxiety and fear. The location of the square indicates the partial displacement of these states from consciousness. A person sets himself up in a more positive and optimistic way. However, he himself is not entirely sure of this positive attitude.

    5th square "Sword"

    The sword has a somewhat fake appearance and does not carry the motive of aggression (which is often the case in drawings depicting weapons). The sword is used rather as some attribute of self-defense. The intersection of two perpendicular lines indicates activity, a developed motivation to overcome difficulties.

    6th square "House"

    Typically female decision. The nature of the image of the house is interesting: it is closed from strangers, there is a fence.

    There is a desire for integration, connection, building personal relationships. However, these relationships are not widely publicized, they are carefully hidden even from close people.

    7th square "Duet"

    The picture reflects the desire to hide one's inner vulnerability, sensitivity, not to show vulnerability outwardly (points are circled). The plot of the picture indicates an inner desire for connection, the need to be in a pair, an unconscious need for unconditional acceptance, support from the outside.

    8th square "Escape from the rain"

    The figure shows a person’s desire to find shelter, a place where you can hide from external influences, the negative influence of the environment. We need rest, the opportunity to feel safe. The location of the square reflects the super-relevance of this intention for today.

    Summary: Sensual and sensitive nature, femininity, softness, flexibility. At the same time, she is closed, selective, not showing her true feelings and emotions outside, “on her mind”. High ambitions are combined with the motive for achieving goals, which indicates active self-realization. However, a person has not yet found his place in life, there is no satisfaction in his social status either. Unconscious need for unconditional acceptance, a sense of support and inner security.

    The test was performed by a woman, 26 years old

    The stinginess of filling in the fields, the conciseness of the drawings, the emphasis on geometric shapes are striking. Such decisions are not typical for a young woman.

    1st square: target. The target motif in the first square is a typical male version. Point in the center (EGO): emphasis on individualization, one's self. However, the point itself is not enlarged, not drawn, not outlined, no manipulations are carried out with it at all. She was "left alone", surrounded by a circle. The space of the circle around is a zone of a person's personal space, and in this space there are no more objects, connections, etc. The point in the center is lonely - and this is not just introversion, but outsiderness, a tendency to autism.

    2nd square: little filled. Eye - fears, fears of contacts, isolation in communication. The 2nd square is forced out to the 7th place, which is an indicator of the displacement of the social area due to its frustration. The person rationalizes their fears about the relationship. She is closed, "looks" at the world around her, tries to avoid active contacts, all the time "on the watch".

    3rd square: no continuation of ascending lines, but also no continuation of the pattern to the right at all. There was a stop in self-development, there are no ambitions aspiring to the future, a person is content with what he has (based on the interpretation of squares 1 and 2, this stop is dictated by fears and insecurity both in relation to oneself and relationships with people).

    4th square: continuation of the original black square motif. The motive of fear and anxiety is generalized. At the same time, a person keeps all his fears to himself (inside the house), opens up to few people, does not show his feelings. The motif of loneliness, self-absorption is repeated.

    5th square: correlates with the 3rd and shows that the fear of moving forward, the stop in motivation is also present here. Overcoming obstacles is difficult (the line is not overcome, does not intersect). Frustration.

    6th square: area of ​​personal relationships. The square is located in the 2nd place, which shows the relevance of this area. Strives for integration, connection, but, paying attention to the problematic nature of the remaining squares, and given the dryness, lifelessness of the motive of the square itself (a dry rectangle, lifeless, without details, a geometric figure), it is simply a desire to gain confidence and stability in personal relationships without skill and understanding how to do it. Her restraint, closeness, suppressed emotionality dictate a too straightforward and formal style of behavior in personal relationships. The square also shows the style of thinking. There is coherence, consistency, rationality.

    7th square: muzzle. A single living being appears. Sensuality, sensitivity, emotiveness. But, since the 7th square reflects the unconscious, the inner, this emotiveness and sensuality is suppressed, it exists deeply and is not externally broadcast in any way, it is clamped down by prohibitions and taboos.

    8th square: circle, no additional details. Rationalization, the inner world is hermetic, obsessed. The motive of the 8th square echoes the 1st square.

    Graphic Features: lines, angles, arcades predominate, narrow, laconic forms, a lot of empty space, the line is thin, with little pressure.

    Summary: difficulties in relationships, self-manifestation, adaptation. A high degree of rationalization, blocking the output of immediate reactions, even in the form of ordinary emotions (joy, sadness, interest). Strong taboos, prohibitions. Motives of loneliness and outsidership. Not femininity, dryness, criticality, straightforwardness. Increased control and oppressive super-ego.

    The test was performed by a woman, 31 years old

    The order of filling in the squares is normative. But, in this case, such filling is a tribute to formalism, standard thinking. This is indicated by graphic signs: careful drawing of details, strong pressure, clear lines, without schematizations and simplifications. The drawings are in perfect style.

    In the 1st square(square Ego) - a flower. For a woman, this is a normative decision. But the narrowed petals, their closeness, tightness, isolation indicate an increased reaction of protecting one's Self. This is also indicated by a leaf made with angular movements.

    It is interesting how the petals are similar to the formation of letters in handwriting. The same deep and narrow garlands and arcades.

    In the 2nd square(square of sociality) a seagull soaring in the sky, in a flock of the same seagulls over the sea and a sailboat.

    In this motif there is a detachment from reality (the earth, active standing on one's feet). Such a projection indicates a loss of connection with one's true desires and needs. The emphasis on the rational zone (top of the figure) indicates increased processes of rationalization, suppression of feelings, direct response, nature.

    3rd square(square of ambitions and plans). Problematic solution. There is no upward movement. Draws a lot of limiters and obstacles on the way. Shading in the figure indicates psychomotor tension caused by the proposed stimuli.

    There are a lot of such blackenings in the test as a whole. Psychological trouble, frustration already affects various planes of a person's mental activity.

    4th square(square of unconscious anxieties, fears). A very unusual solution for this square. Photo of a family, with complementary black squares at the corners of the frame. There are blackouts. There is chronic anxiety, possibly guilt, dissatisfaction.

    5th square(implementation of ambitions and plans). An arrow pointing at itself (in the lower left corner). The motif of the drawing speaks of excessive reflection, fear of moving forward, and a stupor in activity.

    6th square(square of personal relationships, integration). The lines are connected to each other not by themselves, but through an additional line. Everything is blacked out, shaded. The zone of personal relationships is clearly forustriated, there is no trust in others. Relationships develop according to the type: you - to me, I - to you, through the fulfillment of some conditions, special rules and norms. There is no direct acceptance of others, openness.

    7th square(square of sensitivity). The cat arched its back. We can say that inwardly she listens very sensitively, looks closely and feels the world around her. He is in a defensive position. The very pose of the cat resembles an arcade.

    8th square(square of unconditional acceptance, harmony). In this square, a dynamic solution is encountered for the first time. Internally, a person feels the need to move forward, to solve their problems. But, at the same time, protection is needed, a guarantee of the safety of such movement (car).

    Summary: perfectionism, criticality, normativity, standard perception and thinking that interfere with self-realization, individualization of the individual. Closeness, detachment from society, position of protection from the world, distrust. Suppression of true feelings, impulses by excessive rationalization, prohibitions and taboos. Against this background, the development of anxiety, frustration, internal conflicts. The need for caring social conditions, unconditional acceptance.

    Handwriting analysis shows: the predominance of psychomotor control over freedom, perfectionism, standardity, normativity of form, the presence of a mask, regularity of movement, slow speed, strong pressure, dominance of the 7th potency according to Odem, psychotype according to Jung - an introverted ethicist with sensory.