Lesson - game "Meeting of the Artistic Council" outline of a lesson in literature (Grade 11) on the topic. Lesson - game "Meeting of the Artistic Council" outline of a lesson in literature (Grade 11) on the topic Presentation on the theme of the play bug

Lesson game in grade 11 "Meeting of the arts council"

Subject: Satire V.V. Mayakovsky in the plays "Bedbug", "Bath"

Target:

1) to show how the poet solved in his work the theme of exposing philistinism and bureaucracy using the example of two dramatic works “Bug” and “Bath”, to reveal the direction of V.V. Mayakovsky;

1. develop a sense of humor logical thinking, to help increase the mental activity of students, to realize the creative possibilities of students
2. to instill in students a sense of rejection of such phenomena as philistinism, bureaucracy.

Equipment: audio recording, students' drawings, illustrations for plays, a portrait of the poet.

During the classes

1. Organizing time
2. Exploring a new topic

Epigraph to the lesson

How the country needs you now

Club, square and newspapers,

Revolution trumpet bass,

Y. Smelyakov "Mayakovsky"

1. Opening remarks by the chairman of the artistic council

We have a difficult job ahead of us: two "youth studios" are bringing plays to our judgment of Mayakovsky's plays "The Bedbug" and "Banya", which they offer for staging at the Youth Theatre. After listening to the director's interpretations and getting acquainted with fragments of future performances, we must decide whether they can be recommended for staging at the Youth Theatre. In order not to make a mistake, we must remember who will watch these performances, whether they will be in tune with today's requirements.

1. Vocabulary work.

Bureaucrat - a person who embodies his duties formally, to the detriment of the cause, a red tape.

A tradesman is a person with petty interests, a limited outlook.

The townsfolk are people who live by petty, personal interests.

A demagogue is a person who distorts facts, a flattering person.

1. Performance of the first youth group

(Everyone sits at the table and defends their work)

a) The director's word about the idea, interpretation of the comedy "Klop"

V.V.Mayakovsky posed in this play problems that were topical for his time. The idea is to teach the viewer to notice more and more new forms of carriers of this evil, to teach them to recognize evil that pretends to be virtue. After all, the former worker Prisypkin, having become a tradesman, does not believe that he is dishonoring the working class. Moreover, Pierre Skripkin is convinced that he exalts. The idea arose from Mayakovsky long ago. He defined the theme of the play as the theme of the fight against philistinism.

B) The word of the artist - a demonstration of sketches, scenery and costumes, justifying them.

C) Word of the head of the musical department

To emphasize the lack of spirituality, the mechanical nature of the society of the future, we used the music of Shostakovich.

D) Staging the play "Bedbug" (separate fragments)

1. Performance of the second youth studio

A) The director's message about the idea, interpretation of the comedy "Banya"

The main idea is the fight against bureaucracy, let's pay attention to the name and title of the protagonist of the "Banya". Comrade Pobedonosikov - chief boss for coordination management, the main boss - the name of the head office is ridiculous. An absurd institution headed by a man with speaking surname. So, Pobedonosikov, an official puffed up with arrogance, who, between phone calls and leafing through government papers, dictates a “general guiding article”, as meaningless as the name of the institution he manages. Defining the political idea of ​​the play, Mayakovsky said that it was a struggle against narrowness, businesslikeness, and bureaucracy. Mayakovsky strikes backhand at the bureaucracy.

B) Artist's message

C) Word to the head of the musical department.

To emphasize bureaucracy, indifference to the fate of the people of this apparatus, they used Leontiev's song "Green Light"

D) Staging excerpts from the play "Bath"

1. A word to the artistic council

Council members ask questions to youth studios, and they defend their work.

Questions:

1. Everyman: It seems to me that Mayakovsky's satire hits a small target. Pobedonosikov's shortcomings are not the worst. There are far more dangerous things than bureaucracy. What about relics of the past?
2. Demagogue: Comrades, we have a democracy. Why do we need "Banya"? We must go forward. The future is bright and beautiful.
3. Is Prisypkin so dangerous? Is it worth talking about him today? And why do you make such a disgusting person out of Prisypkin? In my opinion, he is an ordinary person who wants to live well, have a decent living space, a position in society, a solid income. Don't most of you want the same?

1. Closing remarks by the chairman of the artistic council

The plays that the youth studios presented to us today are very relevant, as we were convinced by the young "directors" and "actors". They contain a great educational potential not only for the younger generation, but for all of us. After all, if everyone honestly looks at themselves and those around them after watching the performances, they will surely find grains of sypkinism. In the fight against bureaucracy, philistinism, Mayakovsky is our ally. The two plays are close in terms of issues, both of them, speaking about the danger of militant boorishness, ignorance, warn us that there is a force that can crush culture. Mayakovsky's comedies call to be merciless to social evil, encourage active action, the poet's laughter is devastating. Therefore, young readers and viewers should get acquainted with both works, they will help to see the tragedy in the loss of spirituality. It is here that Smelyakov's statement, which is taken as an epigraph to the lesson, is appropriate.

Municipal educational institution "Secondary school No. 15 of Balashov, Saratov region" Polyanskaya N. E., teacher. Russian language and literature Born in the village of Baghdadi province. Kutaisi Father - a nobleman, served as a forester, ancestors - from the Cossacks of the Zaporizhzhya Sich; mother from the family of the Kuban Cossacks. In 1902-1906. Mayakovsky studied at the Kutaisi gymnasium, in July 1906, after the death of his father, he moved to Moscow with his mother and two sisters, where he entered the 4th grade of the 5th classical gymnasium (for non-payment of tuition money he was expelled from the 5th grade in March 1908 G.). In Moscow, Mayakovsky met revolutionary-minded students, became interested in Marxist literature, joined the Bolshevik Party in early 1908, was arrested, spent 11 months in Butyrka prison, from where he was released in January 1910 as a minor. After his release from prison, he interrupts party work to "make socialist art." In 1911, Mayakovsky entered the School of Painting, Sculpture and Architecture, where he met D. D. Burliuk, the organizer of the futuristic group "Gilea", who discovered in him a "genius poet". Three years later, in February 1914, Mayakovsky, along with Burliuk, was expelled from the school for public speaking. In December 1912, Mayakovsky made his debut as a poet in the anthology "Slap in the Face of Public Taste", where his poems "Night" and "Morning" were published. The manifesto proclaimed a nihilistic attitude towards Russian literature of the present and the past: "Throw Pushkin, Dostoevsky, Tolstoy, etc., etc. from the steamer of modernity. The year 1913 became creatively fruitful for Mayakovsky, when his first collection "I" (a cycle of four poems), the program tragedy "Vladimir Mayakovsky" was written and staged, and together with other futurists a large tour of the cities of Russia was made.. In 1915-1917 Mayakovsky passes military service in Petrograd in a driving school. On December 17, 1918, the poet for the first time read from the stage of the Sailor's Theater the poems "Left March (To the Sailors)". In March 1919, he moved to Moscow, began to actively cooperate in ROSTA (Russian Telegraph Agency), designed (as a poet and as an artist) for ROSTA propaganda and satirical posters ("ROSTA Windows"). In 1919, the first collected works of the poet were published - "All composed by Vladimir Mayakovsky. 1909-1919". Futurism is one of the currents of modernism, which originated in the 1910s. It is most clearly represented in the literature of Italy and Russia. On February 20, 1909, an article by T. F. Marinetti "Manifesto of Futurism" appeared in the Parisian newspaper Le Figaro. Marinetti in his manifesto called for abandoning the spiritual and cultural values ​​of the past and building a new art. The poet puts fleeting sensations into the heap of words. Words are piled on top of each other, hurrying to convey the momentary feelings of the author, so the work looks like a telegraphic text. Futurists abandoned syntax and strophics, invented new words, which, in their opinion, better and more fully reflected reality. Mayakovsky's futurism from the very beginning to the end of the poet's days had a romantic character. Mayakovsky remained a futurist in Soviet times, albeit with new properties: a "komfut", that is, a communist futurist, and also the leader of the LEF (Left Front of the Arts) (1922-1928). In 1922-1924. Mayakovsky makes several trips abroad - Latvia, France, Germany; writes essays and poems about European impressions The first act was the poem "A Cloud in Trousers" (1914-1915) and "Flute Spine" (1915), the second act-poem "War and Peace" (1915-1916) and "Man" (1916- 1917), the third act - the play "Mysterybuff" (the first version - 1918, the second - 1920-1921) and the poem "150,000,000" (1919-1920), the fourth act-poem "I Love" (1922), "About this" (1923) and "Vladimir Ilyich Lenin" (1924), the fifth act-poem "Good!" (1927) and the plays "The Bedbug" (1928-1929) and "Bath" (1929-1930), the epilogue is the first and second introductions to the poem "Out loud" (1928-1930) and the poet's dying letter "To All" (12 April 1930). The artistic world of Mayakovsky is a synthetic drama that includes the properties of various dramatic genres: tragedy, mystery, epic-heroic drama, comedy, extravaganza, subordinate to Mayakovsky's main character - the tragic character of his protagonist and the tragic structure of all his work. The poem "Man" shows the collapse of all the efforts and aspirations of the hero, aimed at achieving personal and social ideals. This collapse is due to the inertia of human nature, the tragic lack of love, the slavish obedience of people to the Lord of Everything - this omnipotent vicar of God on earth, a symbol of the power of money, the power of the bourgeoisie, capable of buying love and art, subjugating the will and mind of people. In the play "Mysterybuff" and the poem "150,000,000" the poet puts the revolutionary masses of the people in the place of God and Christ. In the brilliant tragedy-poem "About This" Mayakovsky showed the struggle of the lyrical hero for an ideal, shared love, without which there is no life. In the course of this tragic duel, fantastic metamorphoses take place with the hero, his natural being is embodied under the influence of the “mass of love”, turns into creative and spiritual energy, the symbols of which are verse, poetry and the suffering Christ. In the poem "Good!," the satirical duology "Bedbug" and "Bath", Mayakovsky depicts how Soviet Russia is born in the revolutionary struggle. After the poem "Good!" Mayakovsky wanted to write the poem "Bad", but instead he wrote the satirical plays "Klop" and "Bath", in which he showed the most dangerous trends in the young Soviet society: the degeneration of workers and party members into petty bourgeois - lovers of a beautiful, "aristocratic" life at someone else's expense . In the poem "Out loud" Mayakovsky sees the realization of the ideal of Man in a vaguely "communist far away". SERGEY YESENIN You have gone, as they say, to another world. Emptiness... Fly, crashing into the stars. No advance for you, no beer. Sobriety. No, Yesenin, this is not a mockery. In the throat, grief is not a lump of laughter. “Seryozha, why can’t you speak normal Russian!” - Mayakovsky was indignant. “Learning Russian is not difficult. Remember simple words - Council of People's Commissars, revolution, NEP, industrialization, cooperation, counter-revolutionary elements ... “The exhausted Mayakovsky became especially vigilant and suspected that Yesenin was not a blond, but a repainted hydra of counter-revolution. Like a true brunette, Mayakovsky judged people by himself - he believed in the human mind and did not understand the limits of human stupidity. Yesenin settled in Baku for a while and wrote a whole cycle of poems full of non-Russian words - Shagane, Shiraz, Saadi and even Khorossan. Great poets quarreled. In February 1930, the poet joined the RAPP (Russian Association of Proletarian Writers). This act of Mayakovsky was condemned by his friends. Alienation and public harassment were exacerbated by personal drama (“the love boat crashed against everyday life”). Mayakovsky was stubbornly denied permission to travel abroad, where he was to meet with a woman (poem "Letter to Tatyana Yakovleva", 1928), with whom he intended to connect his life. All this led Mayakovsky to suicide, predicted in the tragedy "Vladimir Mayakovsky". In the poetic gift of Mayakovsky, the lyrical stream has always been very strong. In the earliest years, poems appear addressed to the one that will become the poet's Muse for life - Lilya Brik. At a time when a controversy is unfolding: can and should a modern writer turn to intimate experiences, to the theme of love, V. Mayakovsky dedicates the poem “I Love” to her. Art critic N. Punin wrote in his diary: “Her pupils turn into eyelashes and darken with excitement; she has solemn eyes; there is impudent and sweet in her face with painted lips and dark eyelids ... ”Unlike the poet, Lily did not lose her head from love. For example, she was not too lazy to rewrite "Flute Spine" by hand, of course with the words "Dedicated to Lila Brik", and forced Mayakovsky to make a cover and drawings. Mayakovsky's love for Lila Yurievna Brik is immeasurable. She was the woman of his life. He loved her sincerely, unconditionally, although he understood that her love for him was of a completely different nature. Mayakovsky's suicide letter (for some reason written two days before his death!): “Comrade government, my family is Lilya Brik, mother, sisters and Veronika Vitoldovna Polonskaya. If you give them a decent life, thank you.” True to herself, Lily immediately called Polonskaya and asked her not to come to the funeral, so as not to "poison the last minutes of farewell to Volodya and his family with her presence." The actress did not come - at that time she was just summoned to the investigator ... The last postcard from Lily Mayakovsky was sent from Amsterdam on April 14 of the same year, on the day of the poet's murder. She later wrote: “If I had been at home at that time, perhaps this time death would have been postponed for some time.” From the memoirs of V.V. Polonskaya: “... Vl.Vl. "Today, I don't need to go to the rehearsal. Moreover, he himself will go to the theater and say that I will never come. ... I replied that I love him, I will be with him, but I cannot stay here now. I "I humanly love and respect my husband and, therefore, I can't do this to him. And I can never leave the theater... So I must definitely go to the rehearsal, and I'll go to the rehearsal, then go home, I'll tell everything..." and in the evening I will move to him completely. But Vladimir Vladimirovich was not in agreement with this. He kept insisting that everything be done immediately or nothing at all. "Polonskaya left. Mayakovsky refused to see her off, only gave twenty rubles for a taxi. But as soon as she closed the door, she heard a deduction. For a while (it seemed to her like an eternity), she was afraid to enter the apartment ... She caught him still alive, he still tried to raise his head, but his eyes were already lifeless. A person who voluntarily passes away from life takes with him the secret of departure. No explanations (including his own) can penetrate this mystery. What was true cause of suicide? This question can not be, in my opinion, an unambiguous answer. So the reason for this could be a break with Yakovleva, and an unfinished romance with Polonskaya, and Brikov's trip abroad ... Reading Mayakovsky's suicide note, involuntarily pop up in memory lines from the poem, which turned out to be prophetic: "The last will be your name The name of Veronika Polonskaya, mentioned in her suicide letter, will be forgotten as accidental, and only she, Lilya Brik, his eternal love, will remain in history next to the name of the great poet. ... On July 23, 1930, a government decree was issued about the heirs of Mayakovsky. They were recognized as Lilya Brik, mother and his two sisters. Each of them was entitled to a pension of 300 rubles, at that time considerable. Lilya also received half of the copyrights, the other half was divided by Mayakovsky's relatives. Recognizing for Lilya Brik all these rights, the authorities, in fact, recognized the fact of her bigamy ... http://parnasse.ru/prose/literarycriticism/criticalarticles/o-majakovskom.html http://ia-aksenov.ouc.ru/omaakovskom.html http: //www.vmayakovsky.ru/ http://slova.org.ru/mayakovskiy/about/

Tatiana Yakovleva.

On February 13, the premiere of the play "The Bedbug" took place. From February 14 to May 12 - a trip abroad (Prague, Berlin, Paris, Nice, Monte Carlo).

In mid-September, "Banya" - "a drama in six acts with a circus and fireworks" - was completed.

Throughout this year, poems were written: "Parisian",

"Monte Carlo", "Beauties", "Americans are surprised", "Poems about the Soviet passport".

1930 The last major thing that Mayakovsky worked on was a poem about a five-year plan. In January, he writes the first speech to the poem, which he published separately under the title "In

On February 1, the Writers' Club opened the exhibition "20 Years of Work", dedicated to the anniversary of his creative voice. February 6 - speech at the conference of the Moscow branch of the RAPP with a statement about joining this organization

On April 14 at 10:15 in his working room in Lubyansky passage, he committed suicide with a shot from a revolver

Vladimir Vladimirovich Mayakovsky, leaving a letter addressed to "Everyone":

April 15, 16, 17 one hundred and fifty thousand people.

V.V. Mayakovsky claimed that "Real poetry should always, even by an hour, get ahead of life." This is probably why he, who created the literary association LEF (Left Front), considered himself a member of the camp of futurists, poets of the future.

This trend was distinguished by scandalousness, the most irreconcilable nihilism. The pinnacle of futurism was the Futurist manifesto of 1912 "A slap in the face of public taste", which was signed

Burliuk, Mayakovsky, Khlebnikov and Kruchenykh. Among this "camp of savages, a gang of hooligans", what was the name of this poetic association D. Merezhkovsky , stood out for his undoubted and unusual talentVladimir Mayakovsky. At the same time, he always tried to be deliberately rude, scandalous, anti-aesthetic; so he strove to write his own poems.

Mayakovsky was a publicist, playwright, a unique poster artist, a talented director and actor, an excellent organizer and poet - a poet with amazing integrity of character and indomitable striving forward.

The work of Mayakovsky is conventionally divided by critics into three stages.

1. Pre-revolutionary creativity (1912-1917). The lyrical hero of the early Mayakovsky is contradictory and rather complex. Leading in his work is the concept of a romantic personality. The motives of restlessness and loneliness constantly sound in the verses.

(“Could you?”, “Nate!”, “Listen ...”, “To you!”, “Violin and a little nervously”, “Lilichka!”, “Myself, my beloved ...”)

2. Post-October creativity. (1917-1923). In the conditions of the new time, changes are taking place in the artistic

Mayakovsky system. The lyrical hero recedes into the background. In the center - the image of the revolution, the image of the revolutionary-minded masses. The revolution literally infected him with a high spiritual uplift. Mayakovsky unconditionally believed in its justice and necessity. The poems of this period are optimistic, jubilant. ("Revolution", "Left March", "Ode

revolution”, “Order on the army of art”, “We are going”, “An extraordinary adventure…”.

3. The final stage of mature creativity (1924-1930 ). The lyrical hero becomes an image of a unique character, an individual destiny. Poems are being created V. I. Lenin”, “Good!”, as well as wonderful poetry. (Cycle"Paris" cycle

"Poems about America", "To Comrade Netta ...", "Letter to Tatyana Yakovleva", "Letter to Comrade Kostrov from Paris ...", cycle "Poems for Children"). Mayakovsky shows a new type of socialist consciousness, which from a different point of view will be considered by his contemporary writer Yevgeny Zamyatin in the novel "WE".

Mayakovsky's suicide letter

“Everyone. Don't blame anyone for dying, and please don't gossip. The dead man disliked this terribly.

Mom, sisters and comrades, this is not the way (I do not advise others), but I have no way out.

Lily - love me.

Comrade government, my family is Lilya Brik, mother, sisters and Veronika Vitoldovna Polonskaya. If you give them a decent life, thank you.

Give the started poems to the Briks, they will figure it out.

As they say - "the incident is ruined",

love boat crashed on life.

I'm in with life

and no list

mutual pain, troubles and insults.

Happy to stay.

Vladimir Mayakovsky. 12 ((30 g."

could play

On the drainpipe flute?

TOPIC 6 V. Mayakovsky. Creation of the theater

new era.

Glory, glory, glory to the heroes!!!

they were given enough tribute.

Now let's talk about rubbish.

(V. V. Mayakovsky, “On Rubbish”)

Genre diversity of creativity of Vladimir Vladimirovich

Mayakovsky is an undoubted evidence of his talent. He bright poet, created dramatic works \"Bedbug\"

and \"Bath \", \"Mystery-Buff\", wanted to write a novel. In his dramatic works, Mayakovsky developed that linepropaganda and posterart, which arose in the first years after the revolution and reflected the desire to democratize the theater.

Mayakovsky believed that\"The theater is not a display mirror, but a magnifying glass\", therefore creates satirical comedies that denouncephilistinism and bureaucracy, in the fight against which was formed new person strengthened the socialist system.

In the play "Bedbug" 1929 year, the poet declares an implacable war on philistinism in all its manifestations.

\"A former worker, a former party member, now a fiancé \", Prisypkin, renamed Pierre Skripkin, in his actions and speeches reveals his philistine essence.

The inhabitants of the "youthful" hostel, people from the future, in which the viewer finds himself together with the heroes of the play, perceive Prisypkin and the microbe of philistinism with which he is struck, as phenomena incompatible with the laws, views, way of life of the new society. To\"dehumanize \" Prisypkin, to turn him into a representative of an extinct genus- \"philistine vulgar \"-reduces the main action of the play. The microbe of philistinism, satirically exposed in the play, is presented as an anti-human, anti-social force, terrible in its ability to infect society.

The image of Oleg Bayan in the play emphasizes the diversity

philistinism. If Prisypkin is a degenerate who has made a convenient cover out of his proletarian origin, then Oleg Bayan is an opportunist who, with deceitful phrases, covers up the rotten insides of the layman, fed by the old world and remaining faithful to it. And this kind of philistinism is no less terrible for society than prisypkinism. Ruthlessness in exposing philistinism gives the play a combative offensive character.

The play \"Bath \" (1930) is aimed at no less dangerous phenomenon - bureaucracy. The play is a fusion of dreams and reality, an interweaving of the present and the future. This is achieved by the use of fantasy, which is woven into real life inventor Chudakov and his comrades. All the action comes down to the struggle for the time machine created by Chudakov, which will allow us to see the future, to be convinced of the reality of the dream, brought closer every day by the selfless work of thousands of people.

Acute conflict between the real builders of the new society and Pobedonosikov, standing in the way of society towards the future, grows into a decisive battle between the new norms of life and bureaucracy, with Pobedonosikism. The fantasy of the plot allows the poet to show the unacceptability of bureaucratic principles for the society of the future: the time machine discards those that are not needed

for communism.

In search of forms of effective, agitational art, glorifying

radical renewal of reality, Mayakovsky turns to dramaturgy. His Mystery Buff (1918) was essentially the first revolutionary play. Using the biblical story of Noah's Ark, Mayakovsky, in a catchy, poster-like manner, aimed at the broad masses of viewers, showed the struggle of ideas, the clash of classes. The genre nature of the play combined mystery as a way of artistic generalization, giving everything that happens on the stage a sense of “eternity”, and buffoonery, capturing the most base (and therefore extremely concrete) aspects of everyday life in eccentric forms. According to the author's intention, "Mystery-buff", imbued with the pathos of internationalism, should combine the sublime with the base, the world-historical - with the everyday, the eternal - with today's, topical. This explains one characteristic property of the play: it did not imply the canonization of the author's text, it was built like Vakhtangov's "Princess Turandot”, on an improvisational basis, so as not to lose topicality, momentaryness in the future ( this property of hers, however, was not taken into account in subsequent stage variations).

As for the "Mystery-buff" of 1918, in terms of content and artistic-imaginative structure, it corresponded to the aesthetic attitudes of the komfuts - there was also a division of characters according to class characteristics ( seven pairs of pure and seven pairs of impure symbolized the opposing forces), And hyperbole masks,and militant godlessness, and ecstasy of proletarian birthright, and a hymn to destruction, perceived by the victorious class as creation. The monologue became the core of the author's concept Man from the future calling

proletarians - "impure" to discard the norms of morality in order to build a coveted earthly paradise . In this monologue, parodying the Sermon on the Mount, Mayakovsky's militant revolutionary credo was expressed. The poetically loudly proclaimed renunciation of Christ turned into faith in Bolshevism, devotion to communist ideas as a new religion.

Political sharpness in posing the problem,

accuracy of a poetic word, ingenuity in creating a stage action - distinctive features and this play by Mayakovsky.

With his plays, he successfully develops the comedic and satirical traditions of Russian classical literature, the traditions of A.S.

Griboyedov, N. V. Gogol, M. E. Saltykov-Shchedrin. Especially visible are the traditions of Gogol's "Inspector General".

Mayakovsky's plays are distinguished by political sharpness, satirical power in depicting philistine and bureaucracy, realistic persuasiveness and sympathy for positive characters, the ability to organically include fantasy in development and action. The power of generalization and skill inherent in Mayakovsky's plays have been tested by time.

Dramaturgy in the works of Mayakovsky

• In his dramatic works, Mayakovsky developed the line of propaganda and poster art that arose in the first years after the revolution and reflected the desire to democratize the theater.

• Bug
• Bath
• Mystery Buff

• Their dramaturgy as a whole was distinguished by a romantic interpretation of revolutionary events, a combination of tragedy with social optimism.

• “And to make it funnier, and secondly, are there not enough bureaucrats, and isn’t this the drama of our Union? Funny - yes, like in a circus, but what we laugh at is the drama of our life, its ugliness.
• (V.V. Mayakovsky)

• The main theme of the play is the struggle against red tape, vulgarity, sycophancy and others vices inherited from the old world.

• Mayakovsky brought out in the "Bath" satirical images of bureaucrats who have settled in institutions. Pobedonosikov - chief bureaucrat, swaggering and dumb, praising himself as "responsible statesman". His concepts are devoid of reality; he talks a lot, but does nothing. The image of Pobedonosikov is supplemented by the same bureaucrats as Optimistenko, Mezalyansova, Ivan Ivanovich. They all have limited thinking, they get in the way of those who strive for something new.

• Maxim Shtraukh as Pobedonosikov.

• Bicyclekin - A. Mironov.

• Other characters in the play, such as the inventor of the Freaks, Bicyclekin, want people well. Chudakov talks about "time machine":

• "With my car, you can whirl the drawn-out viscous years of grief, pull your head into your shoulders, and above you, without touching or dropping, a shell of the sun will sweep over you a hundred times a minute, ending the black days."

• In the play "The Bedbug" of 1929, the poet declares an irreconcilable war on philistinism in all its manifestations.

• The microbe of philistinism, satirically exposed in the play, is presented as an anti-human, anti-social force, terrible in its ability to infect society.

• Ruthlessness in exposing philistinism gives the play a combative offensive character.

• "The revolution has melted everything - there are no finished drawings, there can be no finished play." Feeling the "unformedness" of time, its "duplicity", the poet wrote: " Mystery- great in the revolution, buff- funny in it "

• The poet believed in the ideals of the revolution and had high hopes for it.
• The same faith was voiced on behalf of the new class in the play "Mystery Buff". When the seven pairs of impure ones stand before the "door" of the future, the machinist proclaims:

• "Today
• these are just fake doors,
• and tomorrow
• reality will be replaced by theatrical rubbish.
• We know it.
• We believe in it."

• "In the future, all those who play, stage, read, print Mystery Buff, change the content - make its content modern, today's, momentary"
• (V.V. Mayakovsky)

• Relevant to modern Russia lines from this play are presented:
• “We promised and we share equally:
• one - bagel,
• to another, a donut hole."
• This is a democratic republic

Vladimir Vladimirovich Mayakovsky Presentation by the teacher of the secondary school No. 181 Tikhomirova I.A.

Biography Vladimir Mayakovsky was born in the village of Baghdadi in Georgia to Vladimir Konstantinovich Mayakovsky (1857-1906). In 1902, Mayakovsky entered the gymnasium in Kutaisi. After the funeral of his father, Mayakovsky, together with his mother and sisters, moved to Moscow, where he entered the IV grade of the 5th classical gymnasium (now Moscow school No. 91), where he studied in the same class with Pasternak's brother Shura. In March 1908 he was expelled from class V for non-payment of tuition. The first "half-poem" Mayakovsky published in the illegal magazine "Impulse", which was published by the Third Gymnasium. According to him, "it turned out incredibly revolutionary and equally ugly."

In Moscow, Mayakovsky met revolutionary-minded students, began to get involved in Marxist literature, and in 1908 joined the RSDLP (b). He was a propagandist in the commercial and industrial sub-district, was arrested three times in 1908-9, but was released due to lack of evidence. In prison in 1909, Mayakovsky again began to write poetry. Mayakovsky studied in the preparatory class of the Stroganov School, in the studios of the artists S. Yu. Zhukovsky and P. I. Kelin. In 1911 he entered Moscow School painting, sculpture and architecture - the only place where they were accepted without a certificate of reliability. Having met David Burliuk, the founder of the futuristic group "Gilea", he entered the poetic circle and joined the Cubo-Futurists. The first published poem was called "Night" (1912), it was included in the futuristic collection "Slap in the Face of Public Taste".

Mayakovsky and Futurism In 1913, Mayakovsky's first collection "I" was published (a cycle of four poems). It was written by hand, supplied with drawings by Vasily Chekrygin and Lev Zhegin, and lithographically reproduced in the amount of 300 copies. As the first section, this collection was included in the poet's book of poems "Simple as a lowing" (1916). Also, his poems appeared on the pages of the futurist almanacs "Mare's Milk", "Dead Moon", "Roaring Parnassus", etc., began to be published in periodicals. Futurism (Italian futurismo from Latin futurum - future) - avant-garde art movements of the 10s - early 20s. 20th century in Italy and Russia. Futurism was the first avant-garde trend in Russian literature. Assigning itself the role of a prototype of the art of the future, futurism as the main program put forward the idea of ​​destroying cultural stereotypes and instead offered an apology for technology and urbanism as the main signs of the present and the future. The founders of Russian futurism are considered members of the St. Petersburg group "Gileya".

Futurism in painting But this call is softened by the statement below: "He who does not forget the first love, he will not know the love of the last." But even such idols as A. Blok did not escape the accusation that "they only need a dacha on the river." One way or another, but futurism gave the poetry of the three geniuses Mayakovsky, Khlebnikov, Pasternak. Not to mention the sea of ​​talent: Khabias, Kamensky, Shklovsky, Zdanevich, Kruchenykh. In Russia, the first futurists were the artists brothers Burliuks. David Burliuk is the founder of the futurist colony "Gilea" on his estate. He manages to rally around himself the most diverse, bright, unique personalities. Mayakovsky, Khlebnikov, Kruchenykh, Benedikt Livshits, Elena Guro - the most famous names. In the first manifesto, “Slapping the Face of Public Taste,” the call: “Give up Pushkin, Dostoevsky, Tolstoy, and so on. and so on. from the steamer of modern times."

Mayakovsky's paintings "The Ark", a sketch for the play "Mystery Buff" Artist V. Mayakovsky. 1919 Watercolor by V. Mayakovsky. "Roulette", 1915.

Early work "Night" "Morning" "Port" "Street" "From street to street" "Could you?" “Signboards” “Theaters” “Something about St. Petersburg” “Behind a woman” “I” I immediately smeared the map of everyday life, splashing paint from a glass; I showed the oblique cheekbones of the ocean on a dish of jelly. On the scales of a tin fish I read the calls of new lips. Could you play the nocturne on the drainpipe flute?

Analysis of the poem "Could You?" The lyrical hero of this poem is lonely, he suffers from a misunderstanding of the people around him, yearns for another living human soul, he is depressing by the monotony, everyday life of thought. to a poet, the gutter looks like a flute, the world looks like an old tin fish or jelly. The lyrical hero challenges the world, and he manages to change a lot: " I immediately smeared the map of everyday life". bright spot lyrical hero breaks into the grayness of the world, splashing out the paint of sincere feelings on it. He "showed the oblique cheekbones of the ocean on a dish of jelly." In the "tin fish", that is, in the cold, cruel, mechanical world, he sees people who are in solidarity with him, the hero reads "the calls of new lips." I immediately smeared the map of everyday life, splashing paint from a glass; I showed the oblique cheekbones of the ocean on a dish of jelly. On the scales of a tin fish I read the calls of new lips. Could you play the nocturne on the drainpipe flute?

In 1913, the poet turned to dramaturgy. The programmatic tragedy "Vladimir Mayakovsky" was written and staged. The scenery for it was written by artists from the "Union of Youth" P. N. Filonov and I. S. Shkolnik, and the author himself acted as a director and performer of the main role. In July 1915, the poet met Lilya Yurievna and Osip Maksimovich Brik. In 1915-1917, Mayakovsky served in the military in Petrograd at a driving school. The soldiers were not allowed to print, but he was saved by Osip Brik, who bought the poems “Flute-Spine” and “Cloud in Pants” at 50 kopecks per line and printed it. Anti-war lyrics: "Mother and the evening killed by the Germans", "Me and Napoleon", the poem "War and Peace" (1915). Appeal to satire. Cycle "Hymns" for the magazine "New Satyricon" (1915). 1917 - “Revolution. Poetic Chronicle". Mayakovsky starred in films based on his own scripts. In August 1917, he decided to write Mystery Buff, which was completed on October 25, 1918 and staged on the anniversary of the revolution.

Mayakovsky's muse Poems about love: "LILICHKA!" "Loves? does not love? I break my hands ”“ You ”“ Lilichka ”(excerpt) In addition to your love, I have no sea, and your love cannot beg for rest with crying. If a tired elephant wants to rest, the regal one will lie down in the burnt sand. In addition to your love, there is no sun for me, and I don’t know where you are and with whom.

About the poem "Lilichka" "Lilichka!" - a poem called "instead of a letter" to be a farewell to a beloved woman. And unlike a letter, it is not an appeal to the addressee, but only the “last cry” of despair. In "Lilichka!" there is no bright Pushkin farewell-forgiveness. The first lines put us in a tense, even tragic mood. the climax is a suicide that the lyrical hero will not commit, because over him “the blade of not a single knife has power”, except for the look of the heroine. Features: “If you tormented the poet like that, he would exchange his beloved for money and glory, and not a single ringing is joyful for me, except for the ringing of your beloved name” “Will my words dry leaves make me stop, breathing greedily?” “Today you are sitting here, your heart is in iron”

Windows ROSTA On December 17, 1918, the poet for the first time read the verses “Left March” from the stage of the Sailor's Theater. In March 1919, he moved to Moscow, began to actively cooperate in ROSTA (1919-1921), designed (as a poet and as an artist) propaganda and satirical posters for ROSTA (“ROSTA Windows”).

WINDOWS OF GROWTH

WINDOWS OF GROWTH

In 1922-1924, Mayakovsky made several trips abroad - Latvia, France, Germany; wrote essays and poems about European impressions: “How does a democratic republic work?” (1922); "Paris (Conversations with eiffel tower)" (1923) and a number of others. In 1925, his longest journey took place: a trip to America. After a trip in 1925, the cycle “Poems about America” was released. In the autumn of 1928, Mayakovsky again went to Paris. In addition to purely literary matters, the trip had another purpose. On October 20, he went to Nice, where his American girlfriend Ellie Jones was vacationing with her daughter, whom he recognized as his. The meeting was unsuccessful; already on October 25 he returned to Paris. In the evening of the same day, Mayakovsky met Tatyana Alekseevna Yakovleva, a young Russian who arrived in Paris in 1925. Mayakovsky and T. Yakovleva immediately fell in love with each other.

Tatyana Yakovleva Mayakovsky left Paris in early December, but returned there as early as February 1929; on this visit he stayed there for more than two months. He offered T. Yakovleva to become his wife and go with him to Russia - an idea that she "received evasively." But T. Yakovleva marries a French viscount. Mayakovsky experienced this news very hard. The end of the affair with her was at the same time the beginning of the last period of his life. The search continued for love that could "save" him. ... You don't think, squinting just from under straightened arches. Come here, come to the crossroads of my big and clumsy hands.

Satirical and dramatic works The Bedbug (1928) The Bathhouse (1929) The Cloud in Pants (1914-1915) The Spinal Flute (1915) The Mystery Buff (1920-1921) The Rubbish (1920) -1921)

“An extraordinary adventure that happened with Vladimir Mayakovsky in the summer at the dacha” 1925 D. Burliuk. "You and I, us, comrade, two!"

Mayakovsky reads "Listen!"

On April 14, 1930, at 10:15 am, Mayakovsky committed suicide by shooting himself in the heart with a pistol. This happened in Moscow, in house number 3 on Lubyansky passage, apt. No. 12. Obviously, it was a suicide. However, contrary to the posthumous request of the poet himself, “Do not blame anyone for the fact that I am dying, and please do not gossip. The dead man disliked this terribly,” there was a lot of gossip. From April 15 to 17, one hundred and fifty thousand people passed through the hall of the Writers' Club, where the coffin with the body of the poet was exhibited. On April 17, a mourning meeting and funeral took place.

Creative tasks The main theme of Mayakovsky's early lyrics was: The theme of the end of the world, the world, civilization The theme of loneliness, incomprehensibility The theme of love The theme of the modern city

What mood pervaded the post-revolutionary works of V. Mayakovsky? They are distinguished by a mood of sadness, regret about the disappeared way of life They are distinguished by the pathos of joyful restructuring of the world They are distinguished by a mood of disappointment, deceived hopes

Indicate the innovative features of Mayakovsky's poetry Introduction of neologisms, accent verse Sympathy Use of landscape as a means psychological characteristics hero's melody of verse

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